Another Setting Radio: Body Rhythm #4

Photo: Alexandra Hutchinson (l) of Dance Theatre of Harlem and India Bradley (r) of New York City Ballet by Ye Fan, 2023


March 15 brings episode 4 of Body Rhythm to Another Setting Radio.

As always, there is disco in the mix. However, decided to start things and close things with some songs that I've long wanted to place in a mix somewhere/somehow.

The archived show is posted below with some further details on this month's song selections... Enjoy!

Body Rhythm - Show #4
Tracklist:

Sheryl Lee Ralph - Be Somebody
Amii Stewart - Working Late Tonight
Sister Sledge - Il Macquillage Lady
Denise LaSalle - Try My Love
Wanda Walden - Don’t You Want My Lovin’
Sal Panzera - No Stasera No
Roxy Robinson - Come On
Alides Hidding - Hollywood Seven (Mike Simonetti & Johnny Jewel edit)
Five Special - Why Leave Us Alone (12” Version)
Rhetta Hughes - Angel Man (G.A.) (Downtown Version)
Fancy Cake - Higher, Higher, Higher
Girly - Trouble
Barbara Mason - Darling Come Back Home
Judy Cheeks - Walking All Over My Love

All the records played on show #3


Track Notes:

Sheryl Lee Ralph - Be Somebody: Starting things off with the side two opener from actor/singer Sheryl Lee Ralph's sole album from 1986. "In The Evening" was the hit and the title track from it, but this is probably my favourite song on the album. I'm not always a fan of the way reggae was incorporated into pop songs during this time, usually as a trendy production style. I consider this an exception though. To me, the synth-forward 80s reggae-style backing track works here without slipping into parody. The urbane melancholy of the song lyrics add a little weight and cut through in an unexpectedly affective and effective way.

Amii Stewart - Working Late Tonight: Another slice of urbane melancholy from a European pop perspective. Amii Stewart may have been considered something of a one-hit wonder in the US, but she continued to make a career in Italy cutting excellent pop songs like this. The drama of the music and lyrics are everything here, and no wonder, as this was produced by British film composer Simon Boswell, who was fresh from producing Italian superstar Renato Zero the year before.

Sister Sledge - Il Macquillage Lady: To my mind, one of the most interesting songs released by the Sisters Sledge. Putting some of their high school French to work here, this is probably the standout for me on their self-produced 1982 album, The Sisters. A song about a woman who uses her makeup as her security, as her illusion, "hiding in her mask of fantasy." Not your typical pop song subject matter and musically speaking, the sparkling synth work here elevates things even further. This song has gotten some extra mileage after being revealed as the base sample Daft Punk used for their track "Aerodynamic." Taken here from the B-side of a 7" single I had fished out of a dollar bin a while back. Their Motown cover of Mary Wells' "My Guy" was on the A-side, which to me seemed like the definition of a safe, pedestrian single choice, if there ever was one. Slowed the tempo down just a little bit here, which gave it a little extra impact.

Denise LaSalle - Try My Love: From what is possibly Denise LaSalle's most disco-oriented album I'm So Hot from 1980. The title track is the most sought-after cut, but this one's my personal favourite from the album. Cut in a minor key; the thick pulsing synths and sweetened strings just give it the right amount of sleaze and elegance. Was a single in Canada, but nowhere else it seems. For what it's worth, this one almost never leaves my record bag.

Wanda Walden - Don’t You Want My Lovin’: Wanda Walden's 1981 album Searchin' For Love was another one of those dollar bin finds for me. Which is to say, a little weathered but for $1, entirely worth it for this cut alone, which checks all the boxes of a top-tier Narada Michael Walden production from the time. In-the-pocket groove, Chic-esque guitars (that's American Idol's Randy Jackson on bass) and a killer break. As for the name connection, Wanda was evidently Narada's sister in-law, and this ended up being her only album.

Sal Panzera - No Stasera No: Meaning No, not tonight, this was a lovely bit of Italian disco via Montreal that Disco Segreta recently reissued, which is how I first heard of this. Originally issued in Canada in 1981 on a small run of 7" singles, Salvatore Panzera had immigrated to Canada in 1967 and would form a band that often played Italian weddings on the weekends in the Montreal area. One of his bandmates was Giovanni "Johnny" D'Orazio who would go on to be a prolific disco producer in Montreal. Though there are no production credits on this reissue or the original 7" single, D'Orazio is listed as a co-writer with Panzera here and it certainly bears all the economically catchy trademarks of D'Orazio's productions. Of the many interesting obscurities Disco Segreta has been reissuing lately, this one is among my favourites.

Roxy Robinson - Come On: From a Canadian single sung in Italian to an Italian production sung in English, this is the opening track from Robinson's sole album Silence and Other Sounds from 1977. I'd rate her album as one of my most satisfying record finds recently. So much so, I had made a post about it on Instagram recently. This song is one of the standouts on the album and one which sums the sensual and dramatic sound of the record. I wish I knew more about Roxy Robinson (sometimes credited as Rosalinda Robinson or just ‘Roxy’). She appears to have some other credits on Italian releases from the time, either as singer or songwriter. Produced and arranged by Enrico Intra, Pino Presti also appears on the record and this song was also recently reissued under Presti’s name by Best Record Italy.

Alides Hidding - Hollywood Seven (Mike Simonetti & Johnny Jewel edit): I had first heard Alides Hidding's version at least a decade ago while going down a disco rabbit hole on YouTube. One of those things I had saved to various wantlists and then basically forgot about. A few years ago, DJ Elvin T from Philadelphia plays this one night while he was guesting at Wax Candy Disco here in Toronto. I was working behind the bar that night and racking my brain trying to figure what this song was. I had to go up and ask him afterwards, and he told me that he had played this specific edit by Mike Simonetti & Johnny Jewel, the guys who founded the Italians Do It Better label. Needless to day, ended up tracking down a copy for myself soon after. Released on their edit label, Perseo, the A-side is a straight-ahead extension of Alides Hidding's 1980 disco version, which remains my personal favourite. I'm a sucker for a tragic, melancholy disco song and this fits the bill perfectly. The B-side of the Perseo release has three other versions, including the original by Jon English, done as a ballad, from 1976. Alides Hidding would end up fronting the Dutch group Time Bandits, perhaps best known for their hit "I'm Only Shooting Love."

Five Special - Why Leave Us Alone (12” Version): The major disco hit from Detroit band Five Special, expertly mixed for disco by Rick Gianatos. While I enjoy this song, didn't play it all the way through here. I loved the synth in the break and thought that would be the ideal point to segue from the previous track, so this one comes in on the latter part of the song.

Rhetta Hughes - Angel Man (G.A.) (Downtown Version): A disco tribute of sorts to New York City's Guardian Angels from 1983. While I'm not necessarily aligned with all the politics surrounding Curtis Sliwa and his organization, there's no question that they provided a measure of safety for ordinary New Yorkers at a time when the city was perhaps at its most dangerous. This is one of two disco tributes to the Guardian Angels that I know of. The other being "The Guardian Angel Is Watching Over Us" from 1979, sung by Margo Wiliams and produced by Patrick Adams. This particular single was produced by Kenny Lehman, who had a hand in Chic's first singles, and despite any of my misgivings over the Guardian Angels, I find it to be a pretty killer record. This was released later enough in thto the 80s to probably be characterized as Hi-NRG, yet there are enough elements here like the live percussion that also elevate it above a lot of others in that realm. This song ended up being a nice dance hit for Rhetta Hughes who had been a professional singer and Broadway performer for the better part of the previous decade. There was even a video for this song which is in itself a great time capsule of early 80s New York.


Fancy Cake - Higher, Higher, Higher: Speaking of high octane, I came across this recently while doing a little bit of virtual record digging (ahem) on Discogs. Between its rock guitars and the opening verse - "sitting here and waiting for some lover to come," I feel like this certainly took more than a few cues from Donna Summer's "Hot Stuff." While I can't say the lyrics are quite as coherent on this song, they are nonetheless infectiously catchy and sleazy as all hell. I'm not sure of the genesis of the act Fancy Cake, but the picture of the group on the 7" sleeve was enough to seal the deal for me. Produced by Peter Giesecke AKA Patric Perquee, Goudy Heavyface whose work I've played before on the link herefirst Body Rhythm show in December.

Girly - Trouble: An obscure Bobby Orlando production possibly from 1984, but released in 1987. Had no idea about this one until a reissue came up a couple of years ago on I.D. Limited. Timely as original copies were starting to go for a pretty penny. It's classic Bobby O all the way through, he's even a little self-referential here with the lyric "yesterday was passion, today it's just excuse."

Barbara Mason - Darling Come Back Home: Thought I'd start bringing the tempo down here with one of my favourite songs of Barbara Mason. From her sole LP on Prelude, I Am Your Woman, She Is Your Wife from 1978, this was the opener and the tour-de-force on the record. It's still perhaps too slow to be full-on disco, but it certainly approaches disco. This song was originally done on Motown by Eddie Kendricks and later by Philly group Love Committee, but Barbara's version is perhaps the best one for me. The moody instrumentation and production here is what takes this one a cut above. In particular, there's a distinctive horn/synth trigger sound here which was created, I believe anyway, by something called the cromulizer, invented by album's producer, Weldon A. MacDougal III.

Judy Cheeks - Walking All Over My Love: One of her more underrated songs, this was from taken from an album Judy Cheeks had done with Giorgio Moroder's right-hand man Pete Belotte in 1983 called Hard On The Heels of Love. That album only ever came out in Italy it seems, but one of the tracks, "Fascination" was released as a single in the Netherlands with this song on the B-side. This, to me is the song that really resonated. I've used the word 'melancholy' too much already, but it applies here just as well. It's that quality of the song, Judy's mournful performance and the synth hooks here - engaging without being overpowering, that really set this one apart. Sadly Judy Cheeks passed away late last year at the age of 71.


PREVIOUS RELATED ENTRIES:
another setting radio: body rhythm #3 (monday february 16, 2026)
another setting radio: body rhythm #1 (sunday december 21, 2025)
upcoming sister sledge reissues (friday august 10, 2007)

LINKS:
another setting radio
instagram: another setting radio
soundcloud: another setting radio archives
another setting radio: artist bio - thomas del pozo


CATEGORIES: BODY RHYTHM

Another Setting Radio: Body Rhythm #3

Photo: Melba Moore by Richard Avedon, 1979


February 15th brings episode number 3 of Body Rhythm.

Bringing a more straight-forward soul and disco selection to this month's instalment. It's February, Black History Month, in the aftermath of Valentine's Day and the depth of winter. In that spirit, I thought these selections all fit the bill in one way or another.

Archived episode posted below for those who want to listen back... Enjoy!


Another Setting Radio

Body Rhythm - Show #3
Tracklist:

Labelle - Goin' On A Holiday
William Bell - Your Love Keeps Me Going
Margie Alexander - Gotta Get A Hold On Me
Eloise Laws - Love Goes Deeper Than That (12" Version)
Paul Lewis - Inner City Blues
Melba Moore - Miss Thing
Peggie Blue - I Got Love
Cheryl Lynn - Love Bomb
Wilbert Longmire - Black Is The Color
Honey - Superhythm
Patience Africa - Sondela (Psychemagik edit)
The Montreal Synthesizer Orchestra - Disco Melody of ‘77
Céline Lomez - Vol de nuit

All the records played on show #3


Track Notes:

Labelle - Goin' On A Holiday: Opening with one of my favourite Labelle songs, from their 1974 Pressure Cookin' album. Written by Nona Hendryx, this is one song which clearly exemplified the point-of-view and emotional immediacy of Labelle's songs, especially the ones Nona wrote. Arranged by Stevie Wonder, who could only be credited on the record as "A Friend." Many people seek escape during winter, never more true than during the months of January and February. Some people seek literal escape, yet there are always other avenues of escape on offer. There's even escape in isolation. Ways to, as the song says, "let your own sunshine brighten up your day."

William Bell - Your Love Keeps Me Going: Picked up Bell's 1977 album It's Time You Took Another Listen at a small record fair in town recently. Was intitially taken by the back and front covers, and this particular song is my favourite on the album. Best known for his work on Stax, this was from the last of his two albums on Mercury before going independent.

Margie Alexander - Gotta Get A Hold On Me: Thought this was the perfect combination of soul and disco to cue up after William Bell. A one-off disco single from Margie Alexander on the Chi-Sound label. Alexander was originally a gospel singer, to which she'd return after some scattered secular singles in the 70s. This song just has a groove that hits hard and a soulful vocal with all the grit and force to match it.

Eloise Laws - Love Goes Deeper Than That (12" Version): A fine disco single from Eloise Laws, who along with sister Debra and brothers Hubert and Ronnie, is a member of the talented Laws family. This is perhaps one of my favorite tracks from her excellent 1977 LP, Ain't It Good Feeling Good. Produced by the Holland Brothers and released on their Invictus label, it was probably one of the last releases on Invictus, as part of their ill-fated pact with CBS. A nice keep-it-real disco valentine, I've always found their work in disco to be inventive and funky, bringing energy and feeling without sounding like anything else or falling into too many obvious genre clichés. I sometimes feel their work with Lamont Dozier casts such a wide shadow, their later work like this often gets overlooked.

Paul Lewis - Inner City Blues: An interesting production from Harry Wayne Casey and Richard Finch, credited to Paul Lewis, one of the other members of K.C. & The Sunshine Band. A single consisting of two Motown covers, Eddie Kendricks' "Girl, You Need A Change of Mind" on the A-side and my favourite of the two, this cover of Marvin Gaye's "Inner City Blues" on the B-side. It's not clear to me how much of Paul Lewis is actually on this single, I suppose he's in the chorus, yet it sounds more like female backing vocalists carrying most of lead here. Nevertheless, I love the Miami-meets-Motown disco sound on this single, as well as the dubby drum effects on this 12" version.

Melba Moore - Miss Thing: I wrote a whole Disco Delivery entry on Melba's 1979 album, Burn, which is something of an anomaly in her catalogue, yet one that I've always really enjoyed. Produced by Giorgio Moroder's main right-hand man, Pete Bellotte, with funky bass courtesy of the great Marcus Miller, this song is one of my favourites on the record. Not only a killer groove, but also somewhat ahead of its time. At least a decade before Paris is Burning and Madonna's "Vogue," this was clearly Melba's tribute to the ballroom scene. Iconic, even if only for that.

Peggie Blue - I Got Love: From one of the few albums of Peggi Blu, as she'd later be known, this was the title track of her first record which was written, arranged and produced almost entirely by legendary songwriter Jerry Ragovoy. Despite the calibre involved here and in later efforts, Blu's recording career never quite took off. Nevertheless, she went on to have a long career as a respected session/background singer and vocal coach. She'd even gain a measure of viral fame in the 2000s, jokingly dubbed American Idol's "Vocal Coach from Hell." Peggi Blu passed away recently in 2024 at the age of 77.

Cheryl Lynn - Love Bomb: One of the standouts from from Cheryl Lynn's 2nd album, In Love, from 1979. Produced by British producer Barry Blue and co-written by Blue and Lynsey de Paul, who did the original on her album of the same name in 1975. Compared to de Paul's original, Cheryl Lynn's version is a veritable monster. Bolder and punchier on the groove with vocals cascading from the stratosphere. While the metaphor was heavily influenced by the prevailing nuclear fears of the time, there's still something of an evergreen statement in there.

Wilbert Longmire - Black Is The Color: A disco-jazz classic from guitarist Wilbert Longmire and his 1978 Sunny Side Up LP that I love to play whenever I can. This is an adaptation of the folk standard "Black Is The Colour of my True Love's Hair," as recast and popularized further by Nina Simone. This particular arrangement and adaptation by producer Jay Chattaway and the great Bob James turns it into a bonafide disco burner. The relation to the original song isn't immediately obvious, the statement is stil there - condensed yet clear. Since it's Black History Month, one thing that emerges in any kind of study of music or musicology is that in nearly every society, wherever one goes, culture and cultural innovation is generally driven by those on the margins. And here, it has to be said, there is no disco music without Rhythm & Blues, Jazz and Gospel. The players may be from many backgrounds, but at its core, it's all driven by black music. Black is the color.

Honey - Superhythm: One of those singles in which the B-side won me over the A-side. An interesting British one-off by 10cc, Sad Café and Mandalaband keyboardist Vic Emerson and producer David Kent-Watson whose credits are mostly on classical records. While the A-side, "Superman! Superman!" is mostly a disco novelty, this B-side had a certain deep, dark sexy disco appeal that sold me on the first play.

Patience Africa - Sondela (Psychemagik edit): Meaning "come closer," this is an isiZulu cover of Donna Summer's groundbreaking classic, "I Feel Love" by South African singer/actress Patience Africa. Lovingly extended by Psychemagik on Volume 3 of their Undercover Lovers series, which is the version I play here. I played another great Psychemagik edit on the first Body Rhythm show and this is another one which they treat in all the right ways. Nothing gimmicky or cliché, just respectfully taking the best parts of the song and making the most of them.

The Montreal Synthesizer Orchestra - Disco Melody of ‘77: I don't think I'd be remiss in calling this yet another variation on "I Feel Love," but it's also a charming little bit of spacey disco from Montreal which I had picked up in the past year. Credits are basically non-existent on the 12" single, however Discogs and the SOCAN database mark the main player behind this single as John Brenner who would go on to produce Montreal disco records by Geraldine Cordeau and Suzy Q among others.

Céline Lomez - Vol de nuit: A single from Quebecois actress/singer Céline Lomez, produced by Yves Lapierre, who had also produced records for Patsy Gallant and Toulouse; music by André Gagnon and lyrics by Jean Robitaille. This song was inspired by (or at least cross-promoted with) a British/Canadian film adaptation of Antoine de Saint-Exupéry's second novel of the same name, a story based on his own experiences as an aviator delivering airmail to South America in the early days of commercial aviation. Lomez also starred in the film, entitled The Spirit of Adventure: Night Flight alongside Trevor Howard and Bo Svenson. Lomez also released an English version of this song entitled "Night Flight," but the French version here felt gentler, warmer and just a generally correct way to end things.


PREVIOUS RELATED ENTRIES:
another setting radio: body rhythm #1 (sunday december 21, 2025)
disco delivery #64: melba moore - burn (1979, epic) (saturday april 14, 2012)

LINKS:
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instagram: another setting radio
soundcloud: another setting radio archives
another setting radio: artist bio - thomas del pozo


CATEGORIES: BODY RHYTHM

Another Setting Radio: Body Rhythm #2

Body Rhythm returns to Week 7 of Another Setting Radio!

Another Setting's lineup continues to grow, this past Sunday's broadcast lasted most of the day. So, do check out their Soundcloud and take a listen to their expanding roster of Toronto selectors!

This month's installment of Body Rhythm has some more disco in the mix, but starts off with some recently acquired boogie, a little early 80s funk and house that I've been itching to play.

The archived show is posted below with tracklist and track notes if you missed the broadcast or want to listen back... Enjoy!


Another Setting Radio

Body Rhythm - Show #2
Tracklist:

Kaiya - Scandalous
Natalie Cole - Winner (Take All)
Michael Wycoff - Looking Up To You
Margo Michaels and Nitelite - The Good Stuff’s Coming In
C + C featuring Carm - Go For It (Dance Mix)
Narada Michael Walden - Confidence
Stargard - Let Me Be Your Mindbender
Charles Rousseau - Now, Right Now
Jackie Moore - Don’t Knock My Love
Esther Phillips - Love Addict (12” Version)
Lalo Schifrin - Most Wanted Theme
Connie Case - Get Down
Screamin’ Rachel - My Main Man
Glass Pyramid - Better By The Minute
Shikane - Change Your Mind In Dub (excerpt)

All the records played on show #2


Track Notes:

Kaiya - Scandalous: Picked up this spare, slinky little groover from 1983 recently. Produced by 'Godmother of Detroit Soul' Johnnie Mae Matthews, Kaiya is actually her daughter Audrey Matthews. A later release on Juggy Murray's Sue Records, who broke the first Ike & Tina Turner hits in the 60s. Murray sold his earlier masters but would sporadically reactivate the name and label until his death in 2005. I thought this track was just mellow and catchy enough to start things off nicely here.

Natalie Cole - Winner (Take All): One of the outtakes from Natalie Cole's 1983 LP, I'm Ready, a one-off for Epic Records. Still in the throes of her drug addiction at the time, she'd eventually disown that entire album on the basis that she really wasn't as 'ready' as the title proclaimed. When she made a major comeback in the early 1990s, Epic would reissue the album on CD with 4 previously unreleased bonus tracks from the album's sessions, and this song is one of my favourites from those. To my ears, the unreleased songs were actually the best material from that much-maligned project. Produced by jazz fusion legend Stanley Clarke, this has an assertive, funky groove that would have made a nice release at the time. This song and the other bonus tracks from that album have not been pressed on vinyl yet, at least officially. However, there was a recent bootleg 12" with all four of them that I had acquired not too long ago which is how this song appears here. The mastering job on that bootleg release is not ideal, however it'll do until we get something legit.

Michael Wycoff - Looking Up To You: Recently got this soulful gem of a song on a recent 12" single, which sported a Mike Maurro Mix on the A-side. Maurro is one of those remixers whom I find to be one of the most reliable when it comes to remixing classics like this. As good as his mix was though, I ended up playing the standard mix on the B-side for this. Didn't need it to go on too long, but just wanted to have something soulful and uplifting to take things up a notch. Co-written by Leon Ware and produced by Webster Lewis, it's no wonder this song hits all the right spots.

Margo Michaels and Nitelite - The Good Stuff’s Coming In: I'd picked up the sole album by Margo Michaels & Nitelite late last year at a local shop. Was intriguied initially by the credits, her album being a later production by Holland-Dozier-Holland on their Real World Records label from 1981. As one of, if not the, biggest Motown hitmakers, Holland-Dozier-Holland have an enviable streak of classics to their name. While they would eventualy split in the 1970s, with Lamont Dozier realizing his long-held ambition to be a singer on his own, the Holland Brothers - Brian and Eddie would continue as independent producers. Personally, I'm always on the lookout for the Holland brothers' productions, their work with the latter-day Supremes remains among their finest, for example. Notably, this album (and this song too) marks a rare reunion with all three of them. Though it's not quite on par with their heights at Motown and Invictus, Margo Michaels' album is a decent record with some solid, funky, uplifting moments, like this particular song.

C + C featuring Carm - Go For It (Dance Mix): The sole Can-Con entry this time around, I had picked up this single while in Calgary earlier this year. There wasn't much online about this, but I was intrigued enough to take a chance on it. No word on who Carm is, but C + C was the production duo of Carl Harvey and Carl Otway, both Jamaican-born Toronto musicians with a number of major credits to their names. Both Harvey and Otway would be members of Crack of Dawn and Sweet Ecstasy, best known for their dance hit "Pull Our Love Together" which Harvey and Otway also produced. Like a catchy, uplfting PSA in the form of a hard-hitting dance track, this was a great pickup for $3 and fit perfectly here, thematically and musically.

Narada Michael Walden - Confidence: The title track from Narada's 6th album on Atlantic from 1982. He was just on the cusp of becoming one of the super-producers of the 80s and this song shows why. Hard-hitting, accessible and funky with all the power and groove that its title implies. I don't think this was among his major hits, I don't even think this was a single, but it's certainly a hit on my turntable.

Stargard - Let Me Be Your Mindbender: A later song from Stargard - Rochelle Runnells and Janice Williams, who started in the 70s as a trio with Debra Anderson but were reduced to a duo by the 80s. After a couple of albums on Warner Bros., they returned to MCA for what would be their last album, Nine Lives in 1982. Not sure if that record was done as a kind of contractual obligation, (their first couple of LPs were on MCA) but it seems like Nine Lives came and went without much of a trace. Nevertheless, this song is perhaps the highlight of the record for me. One of the funkiest, hardest tracks they had ever done which inexplicably remained an album track.

Charles Rousseau - Now, Right Now: Another Noel Williams/King Sporty production. I included one on the last show and I have two more here that I've been really into lately. This is the only record credited to Charles Rousseau on Discogs and it's a nice little late disco burner from 1981. Written by Miami soul legend Paul Kelly and released on Noel Williams' Konduko label.

Jackie Moore - Don’t Knock My Love: My favourite song from Jackie Moore's final full-length album, With Your Love from 1980. Fresh from her signature disco hit, her version of The O'Jays' "This Time Baby," this album follows in largely the same pattern. Produced by the ever reliable Bobby Eli and featuring a balance of solid R&B and disco, it was probably released a bit too late for the disco tracks to catch fire, but it has some solid selections, nevertheless. Her cover of The Four Tops' "Helpless" was the single but this song, her version of Wilson Pickett's "Don't Knock My Love" would have been my choice. Her and Eli succcessfully update Pickett's classic here with just the right amount of grit, soul and energy. Interestingly enough, a couple of years later in 1982, Moore would duet with Pickett himself on "Seconds," also produced by Bobby Eli and released as a single on the Catawba label. Not sure who did it first, but Loleatta Holloway and The Salsoul Orchestra would also record that song the same year, with Patrick Adams producing.

Esther Phillips - Love Addict (12” Version): Picked up this promo-only 12" mix of the lead single from the late Esther Phillips' first Mercury LP from 1977, You've Come A Long Way, Baby. After having a disco hit on Kudu with her version of "What A Diff'rence A Day Makes," it seems Mercury snapped her up but kept her sonic formula largely intact. Not to mention, this song and the album it was from seem to make clear reference to her storied history of drug addiction. Nevertheless, the allusion is both potent and convincing, her voice alone sounding like a perfectly weathered story in itself.

Lalo Schifrin - Most Wanted Theme: Some lovely disco that I wish were longer from the soundtrack master, Lalo Schifrin. I was tipped off to this track recently just as I've been exploring more music in that specific jazz/funk/disco intersection. There's a kind of electronic shuffle effect in this song that is just so damn cool and sweeps you in so brilliantly. I had recently picked up his 1977 Towering Toccata album not long before recording this, so it was nearby and begging to be included!

Connie Case - Get Down: The other Noel Williams/King Sporty track in the mix, and it's an update of a track he had originally done in 1979 as King Sporty & The Root Rockers. I love that single, but this updated version from 1982 is probably my preferred take. The vocals are more up-front here and those drums, which have a kind of proto-house sound to my ears, just hit a little bit harder.

Screamin’ Rachel - My Main Man: Speaking of hitting hard, I recently got this release from 1985 on Trax, one of the major Chicago house labels. I'd been after a copy of this ever since hearing it some 10 years ago and now that I have it, I still can't get enough of it. Screamin' Rachel Cain's story is legend in itself. She would eventually marry Larry Sherman, the founder of Trax and would assume control of much of the business. That again is it's own messy odyssey and perhaps best told elsewhere. Vice did a profile of her in 2013 called "The Punk Rocker Vho Made Chicago House Happen" by Vivian Host, which is still online and worth a read.

Glass Pyramid - Better By The Minute: Another piece of solid funk reissued by PPU back in 2024. Glass Pyramid were a funk band from Oklahoma City active throughout the 80s, and this particular track from 1988 is definitely one of their finest. Produced by the band with Mel Bolton who had a number of credits on Motown throughout the 80s, the track slaps and the vocal from Georgetta Funches really lights it up. With originals going for hundreds of dollars, grateful that PPU had made this one available again.

Shikane - Change Your Mind In Dub (excerpt): I needed to keep things exactly to an hour, so I only played part of this track. A little 12" I picked up recently by British act Shikane from 1984, and this was apprently their only single. To my ears, this is kind of in the vein of what Imagination were releasing at the time. I love the moody synth instrumentation on the track more than the vocals or the lyrics, so the more spacious dub mix was really what grabbed me here. Played just enough of it to bring things to a gentle close.

LINKS:
another setting radio
instagram: another setting radio
soundcloud: another setting radio archives
another setting radio: artist bio - thomas del pozo


CATEGORIES: BODY RHYTHM

Another Setting Radio: Body Rhythm #1

Photo: Potassa de Lafayette (r) and dancer at Studio 54 by Hasse Persson (1978)


Happy to be part of the Week 3 lineup of a new online community radio project here in Toronto called Another Setting Radio. When they put a call-out for contributors recently, I decided to throw my hat in the ring. So, massive thanks to Nafi and Emily for letting me contribute!

The few of you that still check this page will notice that I've been absent from posting for a while now. Needless to say, it has been a full year for me on a personal level. As a result, I've put a lot of things on the back-burner, so I've itching to make a mix for some time now.

As for the show, I'm calling it Body Rhythm and am really looking forward to putting a mix together on a regular basis again. Not to mention, it'll also provide me a good reason to dig in my own record collection and put it to work, even when I'm not playing records out in public.

Naturally, there'll be a good dose of disco, but am also hoping to keep the format somewhat loose just as an opportunity to stretch out and keep things somewhat genre-fluid, if you will.

Right now, Another Setting broadcasts on Sundays from 12:00-21:00 (Eastern Standard Time), but all episodes will be archived on Soundcloud the next day for on-demand listening. As with most of my other mixes, I'll be embedding the Soundcloud link here along with a tracklist and track notes below.

Whether you're listening live or on-demand, hope you enjoy my show as well as the other local selectors on Another Setting. Listening back to the past couple of weeks has been a lovely opportunity to delve into other people's musical worlds and discover new sounds and sensations in the process.

This first show starts off with a little more of a boogie flavour, before going into some italo, disco and funk, colouring outside those lines ever so slightly...


Another Setting Radio

Body Rhythm - Show #1
Tracklist:

GL - It Could Be You
Janice Marie Johnson - Givin’ It Up
Eddie Fisher - Gigolo (Mix 1)
WG Band - Do It ('Til You're Satisfied) (Psychemagik edit)
Funk Machine - Dance On The Groove (And Do The Funk)
Georges Thurston - De ville en ville
Ernest Ranglin - Soft Touch
Danny Keith - Keep On Music (Dub)
Djosa - Botanica Obscura
La Fox - I Thought That You Liked Me
Hot Shot - Midnight Tube
The Armed Gang - Funky Fever

All the records played on show #1


Track Notes:

GL - It Could Be You: Recently picked up this modern boogie 7" by Australian duo GL on the PPU label. Originally from their 2014 debut EP Love Hexagon, I was initially taken by the A-Side, "What Ever Happened To Us," but this B-side is just as good, with the ideal feel and tempo to kick things off. Vinyl copies of their 2014 EP are unfortunately out of print and seem to fetch a pretty penny these days, so this 7" was the most accessible hard copy available.

Janice Marie Johnson - Givin' It Up: Probably my favourite song from A Taste of Honey singer/songwriter/bassist Janice Marie Johnson's 1984 solo LP One Taste of Honey. I recall hearing that her LP was recorded as a contractual obligation to Capitol Records after the dissolution of A Taste of Honey. Despite that, I found it to be a generally enjoyable album. Though this song was not a single, it probably could have/should have been!

Eddie Fisher - Gigolo (Mix 1): Not the Eddie Fisher who was married to Liz Taylor and Debbie Reynolds, but a St. Louis, MO based guitarist and producer who had been Albert King's bandleader before putting out several albums of his own. Recently picked up this quirky piece of lo-fi midwestern boogie from 1981 on Fisher's own Nentu label. Was taken by the funky beatbox and synth sounds along with the goofy little vocoder further into the song. "Mix 2" on the B-side is longer and slightly more instrumental, but I felt like this version chugged along with a little more momentum.

WG Band - Do It ('Til You're Satisfied) (Psychemagik edit): For the most part, I tend to go for originals over edits, but Psychemagik are one of the exceptions for me. An obscure 1986 German cover of BT Express' signature hit, they took all the best instrumental passages and extended them for optimal satisfaction. Like most of their edits, this one hits all the right spots. Taken from the latest installment (Volume 6) of their ongoing Undercover Lovers series.

Funk Machine - Dance On The Groove (And Do The Funk): Recently picked up this Canadian cover of French act Love International's 1981 single, released the year after on the Montreal Neige label. Though it didn't exactly change things up too much, it seems to have made some waves on its own given how many countries also released this one. I love the spare synth funk groove of this song in both versions, though this one has just a slightly rougher edge to it that also appeals to me.

Georges Thurston - De ville en ville: Continuing the Can-Con section here with this single from the artist also known as Boule Noire. Picked this up recently, initially charmed by the English version on the other side ("Town to Town"). While the order and selection of towns and cities differ slightly, both sides are a funky roll-call of Canadian, American and even Mexican, Caribbean and Central American cities many of whom not normally referenced in songs like these. Stand up, Rivière-du-Loup, Sudbury and Chicoutimi!

Ernest Ranglin - Soft Touch: One of my favourite disco reissues in the past several years would have to be Emotional Rescue's 2019 reissue of Jamaican guitarist Ernest Ranglin's 1983 album Be What You Want To Be. Produced by Noel Williams AKA King Sporty and originally released on his Konduko label, it's a lovely gem of Miami disco, with all of its Caribbean and R&B influences in perfect balance. "Soft Touch," is one of the major earworms on offer, but the whole album is a great listen.

Danny Keith - Keep On Music (Dub): Changing gears to some straight-ahead Italo disco that I picked up earlier this year. Produced by Mauro Farina (Danny Keith was his alias), Giuliano Crivellente and Ides Zanet, I have nothing against the vocal, but just felt like the instrumental "dub" slotted in here just a little bit better.

Djosa - Botanica Obscura: Picked up this 7" on the Rush Hour Store Jams label a couple of years ago. Listened to a quick sample on Juno which immediately checked all the boxes for me. Lovely, warm synth sounds with a little "I Feel Love" bassline, and I was sold.

La Fox - I Thought That You Liked Me: A friend turned me on to this one a couple of years back. He had asked me if I would be able to ID a this song on a mix he had heard. Couldn't identify it either at first but was similarly intrigued. A quick Google search of its lyrics revealed it for me and I sprung for a copy straight away. Sung by a one Merrilyn Fox and released on La Elton's Rocket Records label, this song has a misty, melancholy quality that really stuck with me. I took one of the online suggestions and played this here at a slower speed (33 +6, rather than its stated 45 RPM) for a little extra mistiness.

Hot Shot - Midnight Tube: I initially got this 12" for the very, very ABBA-esque A-side "Love is to Love a Lover's Love." So much so, it has a prime place on my ongoing "Trying to be ABBA" playlist. Given that producer Patric Perquee would eventually produce an album of ABBA songs by the Munich Philharmonic Orchestra, it's probably not a stretch to suggest that he followed closely on their heels. Flipping the record over however, I was taken by the B-side in a very different way. A song about urban danger and decay - "if you don't wear a gun, you'd better run" it seemed to call forth Bowie & Eno as much as much as the A-side recalled ABBA. "Midnight Tube" would also be the title track to Hot Shot's 1981 LP with both these songs.

The Armed Gang - Funky Fever: One of many Italo or Italian disco (there is a distinction) groups calling themselves "gangs," original copies of their album remained elusive for me until a couple of reissues came out a few years back. The Armed Gang was assembled by producer Maurizio Sangineto (AKA Sangy) with American GI vocalists (hence, 'armed') James Otis White, Jr., Kenny Claiborne (given top billing on their lone album) and Joe Bunch. A common assemblage at the time, Black American GIs moonlighting as singers while in Italy, sometimes singing for Italian producers, even achieving a modicum of fame from their music at the time. Clearly Sangineto was trying to achieve something a little more 'street,' a little more funky than the typical Italian disco production and this track kind of encapsulates that. Basically an extended jam revolving around the guys smoking blunts while cruising women on the streets. I thought this would be a good one to close things out here, building on the "urban streets" theme of the last selection.

LINKS:
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soundcloud: another setting radio archives
another setting radio: artist bio - thomas del pozo


CATEGORIES: BODY RHYTHM

Disco Delivery Mix #15: Music You Can Ride On

Photo: Studio 54 Dancers by Bill Bernstein (1978)

Been holding onto this for a little while, since the end of January in fact, when I had recorded this. Wanted to make a mix using records I had retrieved from storage at the end of 2023, so there are quite a few of those here along with some things I had picked up at the time plus a couple of old favourites I had pulled off the shelf. Surprisingly, I've been DJing a bit more this past year and have a couple more gigs on the horizon, just in time for the final weekend of Pride.

First up, this Friday June 28th, I'll DJing back-to-back with Cyclist at Wax Candy Disco at The Piston, and on Saturday June 19th, Cyclist & I will be back-to-back again, DJing Midnight Message at The Little Jerry, so consider this a little taster!

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A post shared by Thomas Del Pozo (@discodelivery)

As for the mix itself, I've included track lists and track notes below. Some of the tracks in the middle of the mix have been slowed down for beat-matching purposes, but either way, I hope you enjoy!

Disco Delivery Mix #15: Music You Can Ride On (Download)


Tracklist:

Psychic - Take A Chance
Geraldine Hunt - Could We (12" Version)
Hemlock - Body Rhythm
The Average Disco Band - Michelle
Bohannon - Come Dance With Me
Mighty Pope - Sweet Blindness (LP Version)
Madleen Kane - Forbidden Love (12" Version)
Gregg Diamond - Danger
Marlena Shaw - Love Dancin' (12" Version)
Finished Touch featuring Harold Johnson - The Down Sound
Vivian Reed - Ready And Waiting (12" Version)
Luca D'Ammonio - Oh Caron

All the records used in this mix.

Track Notes:

Psychic - Take A Chance: A little one-off from Jimmie Haskell, a noted arranger that has appeared on numerous records, including some which have appeared on this blog. The A-Side, "Stinger," is a disco adaptation of Rimsky-Korsakov's Flight of the Bumblebee, but it was the B-side, "Take A Chance," which really caught my ear. With spirited girly chorus vocals and all, it's right up my alley and to my mind, a lovely way to open things.

Geraldine Hunt - Could We (12" Version): A personal favourite from the late Geraldine Hunt. From the same album as her big hit "Can't Fake The Feeling," this is a lovely mid-tempo groover that gets me every time. Even though this mix runs a little shorter than the LP version, there's more room to groove on this particular version.

Hemlock - Body Rhythm: Another one-off that I purchased at Amoeba Records in West Hollywood back in 2009. (I recall, in part cause I still have the price tag on it). They didn't have a preview station there, but the fact that this was a Richie Rivera Midnight Mix was enough to pique my interest. I had honestly largely forgotten about this until I was looking through my 12" singles in storage and found the A-side to have quite an appealing groove, not to mention a catchy little chorus. A lovely little party starter!

The Average Disco Band - Michelle: One of several releases I have by the elusive disco producer John Ferrara, who had some hot moments back in the late 70s early 80s (and is recorded for posterity in the 1979 60 Minutes Disco piece which makes the rounds from time to time). Aside from hits like "Love Attack," he had done this unusual little disco project for H&L Records under the Average Disco Band moniker, covering Beatles songs in a disco style. I suppose it was part of the fever of the times, however aside from the single lyric "Michelle, ma belle," it actually bears only a passing resemblance to the Beatles' original. Either way, this version is a standout on its own, regardless of the gimmick attached.

Bohannon - Come Dance With Me: Hamilton Bohannon's late 70s albums on Mercury, both under his own name and the ones he produced for Caroline (AKA Carolyn) Crawford, are some of my favourites of his. By this time, he had basically perfected his signature sound of funk with finesse. This song, the opening track of his 1978 On My Way LP is a clear case in point. Propulsive grooves, lushly adorned and sweetened yet still unmistakably funky.

Mighty Pope - Sweet Blindness (LP Version): Originally released in 1976 by a Toronto band also called Sweet Blindness, their version had already been a disco hit in its day. I have to admit that I prefer this later and somewhat more polished remake by Jamaican-Canadian singer, Mighty Pope. Taken from his second LP, Sway which had been produced by John Driscoll, Montreal DJ Robert Ouimet and arranged by Gino Soccio. Given the calibre of those names, the results speak for themselves. Though this version changes one of the chorus lyrics from "music you can ride on" to "music you can dance on," Mighty Pope still sneaks in a little nod to the original towards the end.

Madleen Kane - Forbidden Love (12" Version): Working at The Piston (in a non-DJ capacity) during Cyclist's Wax Candy Disco nights here in Toronto it's interesting to see, beyond the well-known standards, which songs capture the crowd. A crowd which is, by and large, at least a generation younger than me. This song is one of those. Well-known among disco connoisseurs but perhaps not as much among the general public, it has nevertheless become a signature favourite of the Wax Candy crowd. And it's no wonder, because this song has just about everything - drama, lushness, momentum, beat and tempo. When I saw that I had this 12" in storage, I had to take it back with me and include it here.

Gregg Diamond's Star Cruiser - Danger: Another record I retrieved from storage, this was a single-only affair by the late Gregg Diamond under his Star Cruiser moniker. I love the explicitly gay references which permeate this track, from the title of the project itself to the song lyrics referring to "danger, always looking for strangers, " and "finding an empty truck." Visions of cruising the piers in New York City and the trucks of the Meatpacking District. Bring your poppers!

Marlena Shaw - Love Dancin' (12" Version): One of the high points of the late song stylist Marlena Shaw's disco output, the John Luongo/Michael Barbiero 12" mix of "Love Dancin'" was also another one I had in storage. The joyful crescendo of this song is undeniable to me, particularly in it's extended version which is why I had to include it here.

Finished Touch featuring Harold Johnson - The Down Sound: A stand-alone single from the Motown studio outfit Finished Touch, which had put out an album entitled Need To Know You Better in 1978. The label on the single notes that this was from a planned second album, which evidently never came out. I had to retrieve this one from storage once I was reminded of this lovely stomper. Have to make mention of one of my favourite lyric couplets in a disco song from this time here - describing a sound that's "got conservatives enraged, it's giving editorial another page." Indeed!

Vivian Reed - Ready And Waiting (12" Version): Vivian Reed is perhaps best known as a Tony-nominated stage actress and singer in Broadway productions like Bubbling Brown Sugar and The High Rollers Social and Pleasure Club. Her recorded output, sorely underrated and mostly for the United Artists label, has some solid gems in it like this particular song. With a dynamite groove, matched measure by measure by her vocals, it's one that I take with me as often as I can.

Luca D'Ammonio - Oh Caron: I had found this in a local record shop earlier this year, initially taken by the sleeve and the label name, Disco Più. Upon listening, I found the A-side to be a relatively soft bit of romantic Italian pop which was pleasant enough though not particularly interesting to me. The B-side however, was another story. Oh Caron (not sure if that's actually what the vocalists are saying), was a surprising bit of fiery African influenced disco, which is ultimately what convinced me to get this. Not long after coming across this single, a intriguing compilation came out this past March on Four Flies Records called Africamore - The Afro Side of Italy (1973-1978), which includes this track among many other delights, shining some light on an interesting corner of the Italian musical landscape.


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disco delivery interviews robert ouimet (saturday, may 24, 2014)


CATEGORIES: DISCO DELIVERY MIXES, DISCO DELIVERY EVENTS