Showing posts with label John Driscoll. Show all posts
Showing posts with label John Driscoll. Show all posts

Thursday, June 27, 2024

Disco Delivery Mix #15: Music You Can Ride On

Photo: Studio 54 Dancers by Bill Bernstein (1978)

Been holding onto this for a little while, since the end of January in fact, when I had recorded this. Wanted to make a mix using records I had retrieved from storage at the end of 2023, so there are quite a few of those here along with some things I had picked up at the time plus a couple of old favourites I had pulled off the shelf. Surprisingly, I've been DJing a bit more this past year and have a couple more gigs on the horizon, just in time for the final weekend of Pride.

First up, this Friday June 28th, I'll DJing back-to-back with Cyclist at Wax Candy Disco at The Piston, and on Saturday June 19th, Cyclist & I will be back-to-back again, DJing Midnight Message at The Little Jerry, so consider this a little taster!



As for the mix itself, I've included track lists and track notes below. Some of the tracks in the middle of the mix have been slowed down for beat-matching purposes, but either way, I hope you enjoy!




Disco Delivery Mix #15: Music You Can Ride On (Download)


Tracklist:

Psychic - Take A Chance
Geraldine Hunt - Could We (12" Version)
Hemlock - Body Rhythm
The Average Disco Band - Michelle
Bohannon - Come Dance With Me
Mighty Pope - Sweet Blindness (LP Version)
Madleen Kane - Forbidden Love (12" Version)
Gregg Diamond - Danger
Marlena Shaw - Love Dancin' (12" Version)
Finished Touch featuring Harold Johnson - The Down Sound
Vivian Reed - Ready And Waiting (12" Version)
Luca D'Ammonio - Oh Caron


All the records used in this mix.


Track Notes:

Psychic - Take A Chance: A little one-off from Jimmie Haskell, a noted arranger that has appeared on numerous records, including some which have appeared on this blog. The A-Side, "Stinger," is a disco adaptation of Rimsky-Korsakov's Flight of the Bumblebee, but it was the B-side, "Take A Chance," which really caught my ear. With spirited girly chorus vocals and all, it's right up my alley and to my mind, a lovely way to open things.

Geraldine Hunt - Could We (12" Version): A personal favourite from the late Geraldine Hunt. From the same album as her big hit "Can't Fake The Feeling," this is a lovely mid-tempo groover that gets me every time. Even though this mix runs a little shorter than the LP version, there's more room to groove on this particular version.

Hemlock - Body Rhythm: Another one-off that I purchased at Amoeba Records in West Hollywood back in 2009. (I recall, in part cause I still have the price tag on it). They didn't have a preview station there, but the fact that this was a Richie Rivera Midnight Mix was enough to pique my interest. I had honestly largely forgotten about this until I was looking through my 12" singles in storage and found the A-side to have quite an appealing groove, not to mention a catchy little chorus. A lovely little party starter!

The Average Disco Band - Michelle: One of several releases I have by the elusive disco producer John Ferrara, who had some hot moments back in the late 70s early 80s (and is recorded for posterity in the 1979 60 Minutes Disco piece which makes the rounds from time to time). Aside from hits like "Love Attack," he had done this unusual little disco project for H&L Records under the Average Disco Band moniker, covering Beatles songs in a disco style. I suppose it was part of the fever of the times, however aside from the single lyric "Michelle, ma belle," it actually bears only a passing resemblance to the Beatles' original. Either way, this version is a standout on its own, regardless of the gimmick attached.

Bohannon - Come Dance With Me: Hamilton Bohannon's late 70s albums on Mercury, both under his own name and the ones he produced for Caroline (AKA Carolyn) Crawford, are some of my favourites of his. By this time, he had basically perfected his signature sound of funk with finesse. This song, the opening track of his 1978 On My Way LP is a clear case in point. Propulsive grooves, lushly adorned and sweetened yet still unmistakably funky.

Mighty Pope - Sweet Blindness (LP Version): Originally released in 1976 by a Toronto band also called Sweet Blindness, their version had already been a disco hit in its day. I have to admit that I prefer this later and somewhat more polished remake by Jamaican-Canadian singer, Mighty Pope. Taken from his second LP, Sway which had been produced by John Driscoll, Montreal DJ Robert Ouimet and arranged by Gino Soccio. Given the calibre of those names, the results speak for themselves. Though this version changes one of the chorus lyrics from "music you can ride on" to "music you can dance on," Mighty Pope still sneaks in a little nod to the original towards the end.

Madleen Kane - Forbidden Love (12" Version): Working at The Piston (in a non-DJ capacity) during Cyclist's Wax Candy Disco nights here in Toronto it's interesting to see, beyond the well-known standards, which songs capture the crowd. A crowd which is, by and large, at least a generation younger than me. This song is one of those. Well-known among disco connoisseurs but perhaps not as much among the general public, it has nevertheless become a signature favourite of the Wax Candy crowd. And it's no wonder, because this song has just about everything - drama, lushness, momentum, beat and tempo. When I saw that I had this 12" in storage, I had to take it back with me and include it here.

Gregg Diamond's Star Cruiser - Danger: Another record I retrieved from storage, this was a single-only affair by the late Gregg Diamond under his Star Cruiser moniker. I love the explicitly gay references which permeate this track, from the title of the project itself to the song lyrics referring to "danger, always looking for strangers, " and "finding an empty truck." Visions of cruising the piers in New York City and the trucks of the Meatpacking District. Bring your poppers!

Marlena Shaw - Love Dancin' (12" Version): One of the high points of the late song stylist Marlena Shaw's disco output, the John Luongo/Michael Barbiero 12" mix of "Love Dancin'" was also another one I had in storage. The joyful crescendo of this song is undeniable to me, particularly in it's extended version which is why I had to include it here.

Finished Touch featuring Harold Johnson - The Down Sound: A stand-alone single from the Motown studio outfit Finished Touch, which had put out an album entitled Need To Know You Better in 1978. The label on the single notes that this was from a planned second album, which evidently never came out. I had to retrieve this one from storage once I was reminded of this lovely stomper. Have to make mention of one of my favourite lyric couplets in a disco song from this time here - describing a sound that's "got conservatives enraged, it's giving editorial another page." Indeed!

Vivian Reed - Ready And Waiting (12" Version): Vivian Reed is perhaps best known as a Tony-nominated stage actress and singer in Broadway productions like Bubbling Brown Sugar and The High Rollers Social and Pleasure Club. Her recorded output, sorely underrated and mostly for the United Artists label, has some solid gems in it like this particular song. With a dynamite groove, matched measure by measure by her vocals, it's one that I take with me as often as I can.

Luca D'Ammonio - Oh Caron: I had found this in a local record shop earlier this year, initially taken by the sleeve and the label name, Disco Più. Upon listening, I found the A-side to be a relatively soft bit of romantic Italian pop which was pleasant enough though not particularly interesting to me. The B-side however, was another story. Oh Caron (not sure if that's actually what the vocalists are saying), was a surprising bit of fiery African influenced disco, which is ultimately what convinced me to get this. Not long after coming across this single, a intriguing compilation came out this past March on Four Flies Records called Africamore - The Afro Side of Italy (1973-1978), which includes this track among many other delights, shining some light on an interesting corner of the Italian musical landscape.


PREVIOUS RELATED ENTRIES:
disco delivery interviews robert ouimet (saturday, may 24, 2014)


CATEGORIES: DISCO DELIVERY MIXES, DISCO DELIVERY EVENTS

Wednesday, May 29, 2013

Gino Soccio speaks


One time, while at a bookstore in Calgary, I recall perusing through a volume on The Top 100 Greatest Canadian Albums, wondering, hoping perhaps, that they'd have something to say on Gino Soccio's "Outline" (1980, RFC/Celebration) somewhere in those 100 albums. After flipping through page after page after page, hoping to find something, then flipping back to the table of contents just in case I had missed something; sadly, no dice. How there would be nothing on an album like "Outline," possibly one of the most revered albums to come out of the booming Montreal disco scene on a list of 100 great Canadian albums, not at #1, #57, or even #99 felt like a pretty bold omission (among many others, it seems). While any list that positions itself as 'definitive' is always prone to biases, the prevailing mythology of Canadian music being what it is - unwaveringly tied to the Neil Youngs, Joni Mitchells, Guess Whos and various other white guys in rock bands, its omission wasn't exactly a surprise, but surely something of an injustice.

As far as Gino Soccio goes, in spite of being behind what have to be some of the greatest disco records to come out of Canada, his story and whereabouts have been, for quite some time, one of the great mysteries in disco. Amid rumours that the man had gone crazy, that he had retired to a quiet life working for the government, embittered by the music business (at least this is partially true), one dedicated fan even went so far as to launch a search campaign of sorts to find out. Not long ago, partially through the efforts of that fan's campaign, Gino showed up on YouTube, posting a few unreleased tracks (one of them dating back to the early 2000s). Though still very much an enigma, there was little from the man himself as to what ever happened to him, what prompted his exit from the music business or what he'd been up to ever since.

Waxpoetics: Invisible Man (by Jered Stuffco)

Just recently, Toronto musician Jered Stuffco, (one half of DVAS) took things a few steps further and completed a story on Gino for the latest issue of Waxpoetics (#55 - with Daft Punk on the cover). Most likely Gino's first published interview in at least a couple of decades, Stuffco talked not only to Soccio himself, but to other major players in his career and in the disco business of the day - RFC founder Ray Caviano (a casualty of the disco fast lane, but still alive!), John Driscoll of Quality Records, producer Peter Alves, and vocalist Erma Shaw. While the man doesn't compromise his current anonymity; the piece, apparently in the works for two years, goes further than just about anything else out there in revealing who he his, his unwavering evangelical passion (to take the article's description) for disco, and some of the personal struggles and music business excesses that put an end to all of it.

Though the man appears to have been burned by the business, whether or not he ever does anything else musically, as one of the brightest producers to emerge from the disco scene, at a time when many had begun to write it off, he will always have a solid place in disco and among disco's devotees. Read through to the very end for what is probably one of the greatest quotes on disco from one of its prime practitioners.

PREVIOUS RELATED ENTRIES:
FUNKYTOWN, MONTREAL (WEDNESDAY OCTOBER 21, 2009)
VINCE ALETTI'S DISCO FILES (WEDNESDAY FEBRUARY 4, 2009)
DISCO DELIVERY #46: GUY LAFLEUR - LAFLEUR! (1979, UNISON SPORTS) (SATURDAY OCTOBER 27, 2007)
MUTUAL... PHYSICAL... ATTRACTION (FRIDAY DECEMBER 1, 2006)
DISCO DELIVERY #9: KAREN SILVER - HOLD ON I'M COMIN' (1979, QUALITY/ARISTA) (FRIDAY MARCH 3, 2006)

LINKS:
WAXPOETICS: INVISIBLE MAN (BY JERED STUFFCO) (WEDNESDAY MAY 29, 2013)
DISCOGS: GINO SOCCIO
YOUTUBE: GINOSOCCIO1955
BEAT ELECTRIC: RFC/ATLANTIC (WEDNESDAY DECEMBER 30, 2009)
DJHISTORY - BREAKING ARTIFICIAL BARRIERS BY GINO SOCCIO
TOMSMUCKER.NET - GINO SOCCIO'S AMERIDISCO HIGH (JUNE 25, 1979)

CATEGORIES: CAN-CON DISCO, INTERVIEWS, WHAT EVER HAPPENED TO..

Friday, March 03, 2006

Disco Delivery #9:
Karen Silver - Hold On I'm Comin' (1979, Quality/Arista)



Karen Silver - Hold On I'm Comin'
Karen Silver - Hot Stuff
Karen Silver - Make Me Feel Alright
Karen Silver - Can't Stop Dancing

Ever since I started this blog, waaay back in January, I've gotten some suggestions about artists and songs to cover; one of the names that has come up a few times was Gino Soccio, so I figured now would be a good time to do a post on one of his productions.. Aside from his own solo efforts, Soccio was involved in quite a few disco projects in the late '70s like Bombers, Kebekelektrik, Witch Queen and even hockey star Guy Lafleur(!) to name a few. Another one of his major outside productions was Karen Silver.. Silver was a Toronto based singer who was previously a vocalist on the John Driscoll disco project Star City. Their big single was a cover of "I'm A Man," a song which had been covered at least two other times during the disco era, most successfully by the Petrus/Malavasi-produced group Macho.

This Karen Silver album was co-produced by Soccio and Star City producer John Driscoll, but Soccio's unique electronic stamp is (at least to me) what is most striking about the sound on this album. The lead off single and title track "Hold On I'm Comin' " is an excellent cover of the 1966 Sam & Dave hit; taking the R&B classic and turning it into a euro-style driving, pulsing, electro-disco experience. Soccio's style is especially obvious on this track in the sharp, minimalist synth sounds and slight rock influence on the breaks.. This version, in my opinion, does what an excellent cover version should do; take the original song and bring it into a completely different context, a kind of reinterpretation in a way. It's the sort of thing that many of Grace Jones' efforts succeeded so well in doing, and one of the reasons why this, so far, is one of my favourite Gino Soccio productions.

The other cover included here is a version of Arista labelmate Ray Parker, Jr's "Hot Stuff," originally on his group Raydio's "Rock On" album (also from 1979). This one is also quite synth driven, especially compared to the funk workout that the original was. Even after I heard the original, this version reminded me more of Donna Summer's "Bad Girls," with it's similar tempo and those guitars in the background..

"Make Me Feel Alright" was a slight change in tempo on the album; a sort of dark, slow-burning disco track; with those minor chords and pleading vocals on the chorus, it has an almost dizzying, desperate tone to it. Strangely enough, this is also another one of those tracks that was part of my introduction to disco, way back on my parents' old disco 8-tracks. I say strangely because I'm not even sure whether this was a single, but nevertheless still have fond memories of this one.. The last selection, "Can't Stop Dancing" is a bit of change in tone, a little less darker than the other tracks. The lyrics are minimal for sure, but catchy.. "(boogie nights) all night.. can't stop dancing!." Can't go wrong with a disco song about disco itself and dancing all night. A much more prominent bassline on this one and a hot sax towards the end, one of those instruments which seems so under used these days..

Even though "Hold On.. " managed to peak at #15 on the Billboard Disco Charts; somehow none of the songs off this album managed to cross over, nor did the album make any of the charts in the US. I'm not certain how this did here in Canada, but Arista in the US probably hoped for better. Karen Silver would release another album a couple of years later called "Set Me Free" (1981, Quality/RFC) produced solely by Gino Soccio this time, but with more new-wave and funk influences. Her biggest hit, "Nobody Else" would come out of that album. She would release some stand alone singles after that, including another Gino Soccio produced cover, this time of Betty Wright's "Clean Up Woman." Unidisc has put most of her material on a compilation CD also called "Hold On I'm Comin'" using the cover shot from her "Set Me Free" album. I don't have it yet, but I hope to one of these days..

Also, one last note about the files.. I just installed a new sound card on my PC so I can rip some of my vinyl properly. Unfortunately, the original built-in sound card on my PC seemed to only record in mono, which is probably why my last rips turned out a little muddy.. Anyway, these files above are my first rips using this sound card. I'm just sort of getting the hang of things, but hopefully these sound allright for all of you out there..

LINKS:
KAREN SILVER DISCOGRAPHY @ DISCOGS
KAREN SILVER @ DISCOMUSEUM.COM
GINO SOCCIO @ DISCOMUSEUM.COM
KAREN SILVER - HOLD ON I'M COMIN' LP @ DISCOMUSIC.COM

PURCHASE:
KAREN SILVER - HOLD ON I'M COMIN' (COMPILATION) CD @ AMAZON.COM

CATEGORIES: DISCO DELIVERIES, CAN-CON DISCO

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