Showing posts with label Jürgen S. Korduletsch. Show all posts
Showing posts with label Jürgen S. Korduletsch. Show all posts

Monday, January 22, 2024

Disco Delivery Mix #14: Sign of the Times

Photo: Spadina Avenue & Queen Street W., Toronto (December 2023)


Recorded this at the end of 2023, basically a mix of records that were sitting out by the turntables - mostly things that I had pulled out for recent gigs and a couple of new buys at the time. This is by-and-large classic disco, with a few disco/boogie and Hi-NRG/House straddlers. Enjoyed listening to this as I was travelling during the holidays and hopefully some of you out there will too.


Tracklist and track notes below.




Disco Delivery #14: Sign of the Times (Download)

Tracklist:

Ted Taylor - Ghetto Disco
The Bobbettes 1981 - This Ain't Really Love
Barbara Roy - If You Want Me
Sparkle Tuhran & Friends - Handsome Man (Bobby 'DJ' Guttadaro 12" Version)
Pure Gold - Hold On To Your Love
Barbara York - Tonight (Radio Version)
Cheetah - Ain't Gonna Waste No Time No More
John Davis & The Monster Orchestra - Up Jumped The Devil (12" Version)
Kikrokos - Life Is A Jungle
Ronnie Jones - Sign Of The Times
Home Wreckers - Jackin (Bass Mix)


All the records used in this mix


Track Notes:

Ted Taylor - Ghetto Disco: A T.K. Disco favourite of mine, produced by noted New Orleans producer/arranger Wardell Quezergue. Not included on any of Ted Taylor's albums, this is just a lovely, unpretentious disco groove where even the simplest lyrics speak to the refuge of the disco in hard times and hard places.

The Bobbettes 1981 - This Ain't Really Love: A later single by the girl group which first came to prominence in 1957 with their US Top-10 hit "Mr. Lee." Still at it in 1981, this was actually the B-side of the single, "Love Rhythm." This particular song, "This Ain't Really Love" was recorded and released by the group earlier in 1980 under the name Sophisticated Ladies. That version was recently reissued by Kalita Records in 2018. The Sophisticated Ladies version is much longer running 5+ minutes, for The Bobbettes 1981 single here, they used a 2.45 edit. A great track at either length though.

Barbara Roy - If You Want Me: One of my favourite of Barbara Roy's singles, this is probably her best release of the 1980s to my ears. Though credited to Roy and her old group, Ecstasy, Passion & Pain, its unclear if this is a reunion with old colleagues or just a branding exercise. Either way, one of those singles that bridges the gap between disco and boogie and a perfectly refreshed, updated showcase for the gutsy voice which graced early disco classics like "Touch & Go" and "Ask Me." A significant name in the credits, despite the semi-anonymous credit (as J.O.B.) is Jorge Omar Barreiro, who was involved on both this and other releases from the time on Brass Records/Roy B.

Sparkle Tuhran & Friends - Handsome Man (Bobby 'DJ' Guttadaro 12" Version): With a classic disco bassline that grabs the your ear from the jump along with a vocal that's both spirited and loose, this has been a favourite ever since I'd heard it on a Salsoul CD compilation of Larry Levan's mixes for the label. Evidently its only release in the US was through the 1983 compilation Larry Levan's Greatest Mixes, Vol. 2 (there was never a Vol. 1) on Salsoul. Before Levan mixed it, it was released in Canada on 12" mixed by another hot DJ of the New York scene, Bobby "DJ" Guttadaro. A French production and band led by the duo of Bernard Torelli and Jean-Pierre Masseira better known for things cosmic rather than funky, along with Americans John Brown III and Mike Felder, this is one which checks all the boxes for me.

Pure Gold - Hold On To Your Love: The sole album from the band Pure Gold is exactly that. One of the many quality boogie/funk releases from the Capitol label in the early 80s, this is one of the highlights of their album. Unfortunately, this band seems to have come and gone so quickly, there isn't even much in the way of prior or subsequent credits for the individual group members on Discogs. That being said, this is certainly one of several early 80s Capitol funk albums that's ripe for the reissue treatment!

Barbara York - Tonight (Radio Version): I had wrote a post about about this single on the blog back in 2007, one of the few times I had posted an outside submission. When I saw that this record was being reissued by Best Record in Italy, I jumped at the chance to get a copy. An early pseudonymous release by Italian singer Ivana Spagna, the lyrics are intriguing, even if they're somewhat lost in translation. That said, it doesn't detract too much from the sleek Italo-funk production from 1983, which I consider to be a very good year in terms of post-disco dance music, generally.

Captain Sky - Moonchild: Probably my favourite Captain Sky release, this song reaches the apex of disco/funk finesse to me. Cream of the Chicago acts released on the AVI label, this was produced and arranged by Daryl Cameron (Captain Sky, himself) and by Donald Burnside, whose name always piques my interest when digging. Well in line with other lush disco diamonds from the time and place, like Air Power (also produced by Donald Burnside, no less).

Cheetah - Ain't Gonna Waste No Time No More: More AVI Disco goodness, this time from Rinder & Lewis, the flagship of their disco operations. One of the anedcotes I recall from my interview with AVI's Ray Harris and W. Michael Lewis was that, when it came to Rinder & Lewis' output, there was very little that they left on the cutting room floor, so to speak. That certainly explains some of the rarer releases which made their way out on AVI sometimes as promo-only releases, like this particular album. Unlike most of those, Cheetah is less a collection of outtakes as much as a collection of retakes (likely a clue as to its title). Comprised of new vocals and lyrics on top of old musical backings, this is perhaps part of the reason this record gets decidedly mixed reviews. This particular song however, a re-take of El Coco's "Coco Kane" with a sassy new vocal and lyric, hits the spot for me though! So much so that I think I may even like this version just a little bit more.

John Davis & The Monster Orchestra - Up Jumped The Devil (12" Version): A favourite of mine from the late producer/arranger John Davis, this track packs so much energy it still goes down well. A favourite at work during the weekly Wax Candy Disco nights at The Piston here in Toronto, the dance floor always heats up whenever resident DJ Cyclist drops this one! Always worth putting in the bag whenever playing disco for the people.

Kikrokos - Life Is A Jungle: My favourite track from Kikrokos' Jungle D.J. & Dirty Kate album, I especially love the synth parts on this particular track. It certainly works in line with the sort of expansive French disco coming from the likes of Cerrone and Costandinos at the time. No wonder, since two of the members of Kikrokos, André Allet and Patrick Sesti were associates of Cerrone.

Ronnie Jones - Sign Of The Times: I had picked this one up on a 12" late last year. The A-side of this song is an electro cover of the Jimmy Ruffin classic, "What Becomes of the Brokenhearted," which had also been mixed by John Robie. Despite all that, it was this song on the B-side which captured my attention. Like most of Ronnie Jones' output, this was produced by Jürgen S. Korduletsch (along with Don Oriolo and Kristian Schultze) and released on one of their labels, Personal Records. I find that this particular track has something of a Bobby "O" feel to it, from the production on down to the harsh, urbane masculinity depicted in its lyrics. After previewing it in the shop, this had already become an earworm for me. Always a good sign!

Home Wreckers - Jackin (Bass Mix): A house project by Toronto producer/composer Allan Coelho and Hernani Raposo. Coelho's name may be familiar as the the main member behind Tapps, who had several club hits in the early-mid 80s. Bearing some of the familiar sonic signatures of those Tapps hits, but with less vocal and more bass, I find this one straddles the line between Hi-NRG and House quite deftly.


PREVIOUS RELATED ENTRIES:
deadly disco: rinder & lewis - gluttony (friday, october 31, 2014)
tonight... (wednesday february 14, 2007)


CATEGORIES: DISCO DELIVERY MIXES

Sunday, May 07, 2006

Disco Delivery #18:
Claudja Barry - Sweet Dynamite (1977, Lollipop/Salsoul)



Claudja Barry - Love For The Sake Of Love (A Tom Moulton Mix)
Claudja Barry - Sweet Dynamite (A Tom Moulton Mix)
Claudja Barry - Dance, Dance, Dance (A Tom Moulton Mix)
Claudja Barry - Live A Little Bit (A Tom Moulton Mix)
Claudja Barry - Why Must A Girl Like Me (A Tom Moulton Mix)
Claudja Barry - Love For The Sake Of Love (Original Version)

One of my favourite disco divas this week.. Claudja Barry's probably best known for her hit "Boogie Woogie Dancing Shoes," but this album from '76 (released 1977 in the US) was her first and probably her best among her '70s albums. Overall her other '70s albums were a little bit on the inconsistent side, although there were classics on each of them. For me though, she wouldn't top this album until her "Made In Hong Kong" (1981, Lollipop/Polydor) LP some five years later.. Claudja, in my opinion, had one of the more unique voices in the disco era. A classically trained vocalist, she never really fit the typical mould of a black disco singer, that of the gospel/R&B inflected vocal style, but instead one that was perhaps more torchy than conventionally soulful. Although apparently a huge fan of classic blues and soul (she recently hosted a radio program dedicated to it), her voice was often in another category altogether.

In some ways, you could probably consider Claudja the Canadian Donna Summer, if you will. As much as that may be an unfair comparison, there are some parallels. Born in Jamaica and raised in Toronto, Canada; Claudja's career, much like Donna Summer's, would take off in Germany where she was working as a stage actor in various musicals. While in Germany she would become, albeit briefly, an early member of Boney M. Shortly after her brief association with the group, she would start an association with Jürgen S. Korduletsch, who would go on to become her long time producer, collaborator and later on, her husband. Like Moroder/Bellotte and Kunze/Levay, Korduletsch's sound was another part of that Munich disco sound that was riding pretty high at the time. That Munich sound, at least to me, was something of a hybrid of American elements of funk and soul, filtered through a distinctly European pop aesthetic. Claudja's "Sweet Dynamite" album is one of the greatest examples of it, undeniably influenced by funk and R&B, yet sounding totally different from anything that came from the US. It's interesting to note that many of the players and personnel on this record like Keith Forsey, Gary Unwin, Thor Baldursson, Pepe Solera, Roberta Kelly, Jürgen Koppers etc.. were ubiquitous on many of the disco records out of Munich..

The original issue of Claudja's album contained ten tracks, most of which were under five minutes. For the most part the album was still disco, yet somewhat more diverse than the US release. There was not only the disco tracks, but others showing a slower, smoother side like her take on Gershwin's "Do It Again" and "This Taste Of Love," as well as "Nobody Loves Me Like You Do Do" (originally done by a singer named Jeanne Burton) really showing off her torchy side. This version was originally released in much of Europe and in Canada on Lollipop/Philips among other labels. It wasn't until the following year when the album was licensed for the US by the legendary Salsoul label that it was disco-fied in a big way. For their stateside release, Salsoul would commission mix master Tom Moulton to re-mix the album. Even though the album was cut down to five tracks, the results, like many Tom Moulton mixes, are significant improvements on the originals. Speaking of Tom Moulton Mixes, I just have to say that I think it's a bit unfortunate that the classic extended mix seems to have fell out of favour in, say, the past fifteen years or so. While there's something to be said about the creativity in remixing today, taking a song out of it's original context and putting a competely different backing on it; as far as I'm concerned, you can't lose by extending and building on the elements of an already great song. Taking apart the layers and bringing them up front, zeroing in it's best elements and extending them, it's exactly the sort of thing Moulton did so well.

One of the most well known songs on this album, and one that exemplifies Tom Moulton's mixing style so well is "Love For The Sake Of Love," a slow, smouldering, sensual groove with a sly guitar and a sexy vocal. Takes you up and takes you down and back again during it's nearly eight minute span.. A simple groove, lyric and melody that manages to work so well. The Moulton mix brings up the tempo a little from the original, taking some of those great background vocals up front and not to mention adding those wonderful breaks. One of those songs that seem to embody sexy when "sexy" was an art form.. Several years back it seems the breaks on this song were pretty popular. "Love For The Sake Of Love" was most recently and successfully sampled on Montell Jordan's "Get It On Tonite" from 2000 (a top 5 hit in the US), and less successfully (in my opinion, anyway) on Da Brat's "What'chu Like" also from 2000. Now speaking of sexy as an art form, despite Brat's sexual "confessions," there was just something so decidedly un-sexy about her delivery on that track. Amusing, yes. Sexy? No.. But I digress.

On to the next song... "Dance, Dance, Dance" (no relation to the Chic song of the same name) is probably my favourite track on the album right now. A fabulous song about dancing your tears, fears and troubles away.. Can't get enough of those big-band horns and Claudja's tremendous vocal, complete with funky guitar in the background to keep things swinging. There's also a great bass solo and some hot percussion on the break as well.

The title track "Sweet Dynamite" follows in much the same vein as "Dance, Dance, Dance." Albeit this time with a fuller arrangement, faster tempo and a suitably dynamic, almost ferocious vocal from Claudja. Got to mention that great horn and string section as well. There are also some really funky bass and synth sounds in the background which really get to shine on the break.. Like the lyrics say, it's "like a burning fire.."

Claudja would go on to release even more great records after this album. Even if some of her subsequent albums wouldn't top this one, she'd manage to build a excellent canon of disco and dance classics well into the 1980's. The original version of this album was released on CD in 1993 by Hot Productions. As far as I know, it's out of print, but well worth tracking down, as the album is great and the sound quality on the CD is excellent. These days her producer/husband(?) Jürgen Korduletsch runs the Radikal Records label. Also, Claudja herself has been making something of a comeback lately after effectively retiring from music during the 1990s. Her latest single "I Will Stand" was released last month on her own label Donna Jean Records. It also seems to be her first record without the involvement of Jürgen, which leads me to wonder if they are even still married. In any case, I hope to do a post about her new single very soon.

If you've gotten this far, I'd just like to add that I probably won't be doing the Disco Delivery posts on a set schedule anymore. Some of you have probably noticed I'm no longer sticking to Fridays. It seems my "holidays" will be more busy than my school days, so time will be a little tighter for me in the next little while. I'll still try to bring the "Deliveries" at the end of every week, but that could be anytime from Friday to Sunday.

Anyway, with that out of the way, I just added a couple great new music blogs this week. Music Is My Boyfriend and Milk Carton Pop Stars.. Check 'em out!

PREVIOUS RELATED ENTRIES:
GET UP AND BOO-GIE! (FEBRUARY 1, 2006)

LINKS:
CLAUDJA BARRY - SWEET DYNAMITE (US LP) REVIEW @ ALLMUSIC.COM
CLAUDJA BARRY - SWEET DYNAMITE (US LP) @ DISCOMUSIC.COM
CANCONROX - CLAUDJA BARRY
CLAUDJA BARRY @ DISCOMUSEUM.COM
CLAUDJA BARRY @ ALLMUSIC.COM
CLAUDJA BARRY @ DISCOGS
CLAUDJA BARRY @ WIKIPEDIA
CLAUDJA BARRY BIO (circa. 2002)

PURCHASE:
CLAUDJA BARRY - SWEET DYNAMITE CD @ AMAZON.COM

CATEGORIES: DISCO DELIVERIES, CAN-CON DISCO, PAST REISSUES, WHAT EVER HAPPENED TO..

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