Showing posts with label John Davis. Show all posts
Showing posts with label John Davis. Show all posts

Monday, January 22, 2024

Disco Delivery Mix #14: Sign of the Times

Photo: Spadina Avenue & Queen Street W., Toronto (December 2023)


Recorded this at the end of 2023, basically a mix of records that were sitting out by the turntables - mostly things that I had pulled out for recent gigs and a couple of new buys at the time. This is by-and-large classic disco, with a few disco/boogie and Hi-NRG/House straddlers. Enjoyed listening to this as I was travelling during the holidays and hopefully some of you out there will too.


Tracklist and track notes below.




Disco Delivery #14: Sign of the Times (Download)

Tracklist:

Ted Taylor - Ghetto Disco
The Bobbettes 1981 - This Ain't Really Love
Barbara Roy - If You Want Me
Sparkle Tuhran & Friends - Handsome Man (Bobby 'DJ' Guttadaro 12" Version)
Pure Gold - Hold On To Your Love
Barbara York - Tonight (Radio Version)
Cheetah - Ain't Gonna Waste No Time No More
John Davis & The Monster Orchestra - Up Jumped The Devil (12" Version)
Kikrokos - Life Is A Jungle
Ronnie Jones - Sign Of The Times
Home Wreckers - Jackin (Bass Mix)


All the records used in this mix


Track Notes:

Ted Taylor - Ghetto Disco: A T.K. Disco favourite of mine, produced by noted New Orleans producer/arranger Wardell Quezergue. Not included on any of Ted Taylor's albums, this is just a lovely, unpretentious disco groove where even the simplest lyrics speak to the refuge of the disco in hard times and hard places.

The Bobbettes 1981 - This Ain't Really Love: A later single by the girl group which first came to prominence in 1957 with their US Top-10 hit "Mr. Lee." Still at it in 1981, this was actually the B-side of the single, "Love Rhythm." This particular song, "This Ain't Really Love" was recorded and released by the group earlier in 1980 under the name Sophisticated Ladies. That version was recently reissued by Kalita Records in 2018. The Sophisticated Ladies version is much longer running 5+ minutes, for The Bobbettes 1981 single here, they used a 2.45 edit. A great track at either length though.

Barbara Roy - If You Want Me: One of my favourite of Barbara Roy's singles, this is probably her best release of the 1980s to my ears. Though credited to Roy and her old group, Ecstasy, Passion & Pain, its unclear if this is a reunion with old colleagues or just a branding exercise. Either way, one of those singles that bridges the gap between disco and boogie and a perfectly refreshed, updated showcase for the gutsy voice which graced early disco classics like "Touch & Go" and "Ask Me." A significant name in the credits, despite the semi-anonymous credit (as J.O.B.) is Jorge Omar Barreiro, who was involved on both this and other releases from the time on Brass Records/Roy B.

Sparkle Tuhran & Friends - Handsome Man (Bobby 'DJ' Guttadaro 12" Version): With a classic disco bassline that grabs the your ear from the jump along with a vocal that's both spirited and loose, this has been a favourite ever since I'd heard it on a Salsoul CD compilation of Larry Levan's mixes for the label. Evidently its only release in the US was through the 1983 compilation Larry Levan's Greatest Mixes, Vol. 2 (there was never a Vol. 1) on Salsoul. Before Levan mixed it, it was released in Canada on 12" mixed by another hot DJ of the New York scene, Bobby "DJ" Guttadaro. A French production and band led by the duo of Bernard Torelli and Jean-Pierre Masseira better known for things cosmic rather than funky, along with Americans John Brown III and Mike Felder, this is one which checks all the boxes for me.

Pure Gold - Hold On To Your Love: The sole album from the band Pure Gold is exactly that. One of the many quality boogie/funk releases from the Capitol label in the early 80s, this is one of the highlights of their album. Unfortunately, this band seems to have come and gone so quickly, there isn't even much in the way of prior or subsequent credits for the individual group members on Discogs. That being said, this is certainly one of several early 80s Capitol funk albums that's ripe for the reissue treatment!

Barbara York - Tonight (Radio Version): I had wrote a post about about this single on the blog back in 2007, one of the few times I had posted an outside submission. When I saw that this record was being reissued by Best Record in Italy, I jumped at the chance to get a copy. An early pseudonymous release by Italian singer Ivana Spagna, the lyrics are intriguing, even if they're somewhat lost in translation. That said, it doesn't detract too much from the sleek Italo-funk production from 1983, which I consider to be a very good year in terms of post-disco dance music, generally.

Captain Sky - Moonchild: Probably my favourite Captain Sky release, this song reaches the apex of disco/funk finesse to me. Cream of the Chicago acts released on the AVI label, this was produced and arranged by Daryl Cameron (Captain Sky, himself) and by Donald Burnside, whose name always piques my interest when digging. Well in line with other lush disco diamonds from the time and place, like Air Power (also produced by Donald Burnside, no less).

Cheetah - Ain't Gonna Waste No Time No More: More AVI Disco goodness, this time from Rinder & Lewis, the flagship of their disco operations. One of the anedcotes I recall from my interview with AVI's Ray Harris and W. Michael Lewis was that, when it came to Rinder & Lewis' output, there was very little that they left on the cutting room floor, so to speak. That certainly explains some of the rarer releases which made their way out on AVI sometimes as promo-only releases, like this particular album. Unlike most of those, Cheetah is less a collection of outtakes as much as a collection of retakes (likely a clue as to its title). Comprised of new vocals and lyrics on top of old musical backings, this is perhaps part of the reason this record gets decidedly mixed reviews. This particular song however, a re-take of El Coco's "Coco Kane" with a sassy new vocal and lyric, hits the spot for me though! So much so that I think I may even like this version just a little bit more.

John Davis & The Monster Orchestra - Up Jumped The Devil (12" Version): A favourite of mine from the late producer/arranger John Davis, this track packs so much energy it still goes down well. A favourite at work during the weekly Wax Candy Disco nights at The Piston here in Toronto, the dance floor always heats up whenever resident DJ Cyclist drops this one! Always worth putting in the bag whenever playing disco for the people.

Kikrokos - Life Is A Jungle: My favourite track from Kikrokos' Jungle D.J. & Dirty Kate album, I especially love the synth parts on this particular track. It certainly works in line with the sort of expansive French disco coming from the likes of Cerrone and Costandinos at the time. No wonder, since two of the members of Kikrokos, André Allet and Patrick Sesti were associates of Cerrone.

Ronnie Jones - Sign Of The Times: I had picked this one up on a 12" late last year. The A-side of this song is an electro cover of the Jimmy Ruffin classic, "What Becomes of the Brokenhearted," which had also been mixed by John Robie. Despite all that, it was this song on the B-side which captured my attention. Like most of Ronnie Jones' output, this was produced by Jürgen S. Korduletsch (along with Don Oriolo and Kristian Schultze) and released on one of their labels, Personal Records. I find that this particular track has something of a Bobby "O" feel to it, from the production on down to the harsh, urbane masculinity depicted in its lyrics. After previewing it in the shop, this had already become an earworm for me. Always a good sign!

Home Wreckers - Jackin (Bass Mix): A house project by Toronto producer/composer Allan Coelho and Hernani Raposo. Coelho's name may be familiar as the the main member behind Tapps, who had several club hits in the early-mid 80s. Bearing some of the familiar sonic signatures of those Tapps hits, but with less vocal and more bass, I find this one straddles the line between Hi-NRG and House quite deftly.


PREVIOUS RELATED ENTRIES:
deadly disco: rinder & lewis - gluttony (friday, october 31, 2014)
tonight... (wednesday february 14, 2007)


CATEGORIES: DISCO DELIVERY MIXES

Saturday, April 22, 2006

Disco Delivery #16:
Brenda & The Tabulations - I Keep Coming Back For More (1977, Chocolate City/Casablanca)



Brenda & The Tabulations - I Keep Coming Back For More
Brenda & The Tabulations - Superstar
Brenda & The Tabulations - Everybody's Fool
Brenda & The Tabulations - Let's Go All The Way (Down) (Album Version)

I've only had this album for about a week now, but it's quickly become a favourite of mine. From the grooves, to that great cover shot, with Brenda looking fabulous (mink by Halston, no less).. But really, as far as the music goes, I wouldn't have expected anything less; with a great lineup of top-flight producers, namely John Davis, Norman Harris and Bobby Eli, who have all been a part of many a disco classic. Some of you might remember a few months back, when I put up an extended mix of "Let's Go All The Way (Down)" in one of my random track postings. That was probably the biggest hit off the LP, but since obtaining the actual album, my personal favourite would probably be the title track, "I Keep Coming Back For More." It's got an unmistakable Philly/Salsoul flavour to it, with those kickin' drums, the unique Philly style horn and string orchestral combo, just an all around excellent rhythm section behind it. Lately I've even found myself spontaneously humming that melody, singing those lyrics to myself (Yes, I love it that much).. For the most part, it sounds like a Norman Harris production, but is actually produced by Bobby Eli, who, I have to say has been behind quite a few great disco records that I've been discovering lately. Namely many of Jackie Moore's disco classics like "This Time Baby," "Take A Stand," "How's Your Love Life, Baby," and also "Just Can't Shake The Feeling" for Ava Cherry just to name a few..

The next track "Superstar," from what I've heard, was another relatively well-received disco track off the album. Produced by John Davis, who is probably best known for his own studio outfit, John Davis & The Monster Orchestra. For the most part, the theme is a bit on the cliché side, to quote a couple of lines.. "now I'm at the top of the world, it proves anyone can go far.. you can be a superstar just by being what you are.." etc.. etc.. On the plus side though, it's got one hell of an arrangement. Punchy in all the right places and a pretty catchy chorus to boot "look at me now, look at me now, I'm a superstar!".. Kind of reminds me of a certain Saturday Night Live skit from several years back..

"Everybody's Fool" is not exactly what I'd call a straight-ahead disco track. I'd probably call it a disco ballad, if you will. Compared to the non-disco tracks on the album, it's unmistakably disco in it's production, but probably not something I could hear a DJ spinning. One thing that I noticed when I heard it was the striking similarity it had to a Grace Jones track off her "Muse" (1979, Island) LP, the last of her disco albums. The song on Grace's album is "Don't Mess With The Messer," which pretty much recycles much of the musical portion of "Everybody's Fool," albeit with a faster BPM and cheekier, less melancholy lyrics. "Everybody's Fool" was also produced by John Davis; who also happened to be the arranger on the Grace Jones song. Oddly enough, despite the similarities and connections, the songwriting credits on both songs are completely different (things that make you go "hmm..").

In any case, while I enjoy much of John Davis' output, he did have a tendency to repeat himself at times; which reminds me, I'll have to put up more of his stuff in the future.. Overall though, if I had to compare, I'd probably prefer Grace's track. "Everybody's Fool" is pleasant and enjoyable in it's own way, but perhaps just a little bit on the pedestrian side for me..

As I mentioned earlier, "Let's Go All The Way (Down)" was the big disco hit off the album. Since I put up the extended version back in February, just to be faithful to the album, I put up the shorter 3.43 album version this time. Overall, this mix is a little tighter, but just as sexy and funky as the extended, complete with those great ad-libs.

Unfortunately one of my favourite producers, Norman Harris doesn't produce any of the disco tracks, but he does produce a couple of ballads on the album. One of them being Melissa Manchester's "Home To Myself," also done by Dusty Springfield a few years earlier. Another being "Leave Me Alone," probably my favourite among the non-disco tracks.

Gilda Woods, the woman who discovered Brenda & The Tabulations and who basically released most of their records through her labels (Dionn and Top & Bottom) is credited as a co-producer on almost all the tracks. From what I gathered though, despite that credit, her role was mostly as an executive producer, who left most of the actual producing "to the pros," so to speak. Also, I'm not sure who exactly the Tabulations were on this album. There isn't any group photo or even any credits for musicians or backup singers so it's a bit of a mystery. From what I read, Brenda & The Tabulations never really had a solid lineup. Early on they were a quartet with Brenda as the sole female, by 1970 they were a classic female girl-group trio. Judging from an interview with former member Maurice Coates, he and Brenda Payton were the principals, but even he had left by the time this album was released. I suppose the Tabulations just happened to be whomever was backing her at this point, which probably changed with every producer or something. Regardless, it's my hope that this album will get revisited sometime with a CD reissue. Hopefully Universal will pay more attention to the Casablanca catalogue one of these days. Given their prolific output, disco and otherwise, there are surely tons of rare or overlooked classics like this one just waiting to be rediscovered.

Interesting fact: Susan Munao, one time Casablanca PR chief and manager for Donna Summer is credited for Art Direction on the album..

PREVIOUS RELATED ENTRIES:
GET UP AND BOO-GIE (FEBRUARY 1, 2006)

LINKS:
BRENDA & THE TABULATIONS - I KEEP COMING BACK FOR MORE LP @ DISCOMUSIC.COM
BRENDA & THE TABULATIONS @ ALLMUSIC.COM
SOULFUL DETROIT FORUM - BRENDA & THE TABULATIONS - A FINE PHILLY SOUL ACT
SOULFUL DETROIT FORUM - BRENDA & THE TABULATIONS
SOULFUL DETROIT FORUM - THE VARIOUS ADVENTURES OF B. ELI
BOBBY ELI @ DISCOMUSIC.COM
NORMAN HARRIS @ DISCOMUSIC.COM
JOHN DAVIS @ DISCOMUSEUM.COM


CATEGORIES: DISCO DELIVERIES

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