Tuesday, August 11, 2026
Another Setting Radio: Body Rhythm #9
Had been wanting to make a Italo Disco mix for some time now, so decided I'd do just that for this month's episode of Body Rhythm.
Most of these tracks are from the golden sweet spot of 1982-83. I initially included a few instrumental tracks on my first pass at this mix. Decided to do a second try and swap most of those instrumentals for their vocal versions. Even with the sometimes clunky or misplaced English lyrics, the tracks just feel more complete with vocals. Beyond that, those lyrical quirks are an essential part of the music's charm for me.
Further details about these selections in the track notes below... Happy listening!
Body Rhythm #8:
Tracklist:
B.W.H. - Livin' Up
Scotch - Penguins' Invasion (Hot Version)
Trilogy - Not Love (Vocal)
Louise Freeman - Mirage
Marzio Dance D.J. and Gang - Adventure (Theme Version)
Primadonna - Flashing On The Floor (Vocal)
Los Angeles T.F. - Magical Body (Vocal Version)
Vivien Vee - Americano (Vocal)
Annie Anner - Night In The City (Canadian Remix)
I.M.S. (International Music System) - An English '93
Salvy & Giuly - Stop The World (Vocal)
Coco Bill - Evita (Avoid)
Samoa Park - Tubular Affair (Vocal)
Track Notes:
B.W.H. - Livin' Up: One of the marquee productions of DJ/producer Stefano Zito (AKA Blackway) and his wife Helene, the duo behind the acronym B.W.H. (Blackway with Helene). Recently reissued, this is from a 12" which paired two absolute killers. My personal favourite "Stop" is on the B-side, but for this I chose to play "Livin' Up" from the A-side. Its tempo and energy felt like the perfect way to start things off here.
Scotch - Penguins' Invasion (Hot Version): The first single from Scotch, when it was still basically the project of producer/arrangers from Bergamo, David Zambelli and Walter Verdi alongside Manlio Cangelli. They'd have bigger hits with "Disco Band" and "Delirio Mind," but the airy chords and synth pulse of this track is more appealing to me. Both versions on my 12" are basically instrumental, but a vocal does exist. Unlike some of the other selections here, I'll have to say the instrumental works better for me.
Trilogy - Not Love (Vocal): Sung and produced Paul Micioni, with Robert Masala (AKA 'Gloves') and Max Di Carlo (AKA 'Konnor'). Micioni had been in Easy Going and Traks and was one of the most prolific producers in Italo Disco, also working with Mike Francis, Gazebo and Gary Low. With it's hard driving beat, it's easy to see how this was one of those tracks which seems to have crossed-over into early house music. That may explain why this was also given a US release on JDC Records, who were known to license the occasional Italo single at the time.
Louise Freeman - Mirage: Originally released in 1983 and recently given a proper reissue by Disco Segreta, I'm surprised this wasn't a bigger hit for UK-born vocalist/dancer/choreographer Louise Freeman. Nevertheless, it has to be up there as one of my all-time Italo favourites. Produced by Gloves and Konnor who were also behind the previous selection, sonically this just seems to have captured some of the coolest, most ethereral synth sounds of the time in a dance record. Even lyrically, it's a cut above what one might expect from an Italo single at this time, which may be owed to Freeman's writing credit here. Hard to believe a track this good was not only overlooked as a hit, but also relegated to the B-side. Interesting fact: Louise is the sister of Tracy Spencer, (not to be confused with the American singer Tracie Spencer) who had a string of pop hits in Italy in the mid 80s. These days Karen Louise Freeman is a fitness instructor, actor and DJ based in London.
Marzio Dance D.J. and Gang - Adventure (Theme Version): I'm often amused by the preponderance of "gangs" in Italo Disco groups or studio projects, and this is yet another. A project of Marzio Mugnaioni—DJ at the Xenon disco in Firenze, whose logo is prominently displayed on the front cover alongside a photo of what I assume is the Xenon discotheque itself—together with producer/arrangers Fabrizio Simoncini and Marco Masini. Picked this up at a local record fair this past spring, and it's an interesting record—a kind of choose-your-own adventure in terms of RPM/tempo. The stated 33 ⅓ RPM speed on the label feels much too sluggish, making it sound like a disco dirge. Personally, I feel like this sounds best at 45 RPM -3, which is approximately the speed I used here.
Primadonna - Flashing On The Floor (Vocal): "Who are you looking at pretty boy? Where are you going tonight?"... Another one of those songs on which I decided to opt for the vocal instead of the instrumental on my second try. Sung by Giorgio Dolce & Stefania Dal Pino, the lyrics about dancefloor attraction are charming, even in their awkward moments. As an example, the response line "dancing double doors" makes little sense, but still makes me smile! Similarly, I doubt that "flashing" is used here in the English colloquial sense; it more likely describes someome who is catching the eye or catching the light, like the facets of a mirrorball. Even with that, the general sentiment still feels stronger with its vocals. Produced by Dolce and the prolific Romano Bais, interestingly American model/actress Debbie Falconer—one time wife of Robert Downey, Jr.—recorded a cover of this song which was only released in France, but it doesn't hold up to the original.
Los Angeles T.F. - Magical Body (Vocal Version): My favourite of the Los Angeles T.F. singles, so named for it's producers - Tony Travagliante and Franco Zaza. The uncredited vocalist on this track is UK singer Katherine Quaye AKA Taffy (note: not the lady in the photo at the top of the post), best known for her Italo hit "I Love My Radio". As far as the lyrics go, they're odd and yet totally catchy and I kinda love them... "Magical, magical is your body... typical, typical, of a latin lover"... Another selection which I had swapped the instrumental in favour of the vocal.
Vivien Vee - Americano (Vocal): A very tropical piece of Italo sung in English and a bit of Spanish by Vivien Vee. Italian balearic, perhaps? Produced by Giancarlo Meo with the group Radio Movie and released around 1984/85 (depending on the territory), it is a bit later and noticeably brighter than the other selections here from ’82/’83. Yet, those lush synth textures and captivating chord progressions are what really make this for me.
Annie Anner - Night In The City (Canadian Remix): A bit of Swedish Italo from Annie Anner (AKA Anne-Lie Thorslund) that I had fished out of a dollar bin last summer. Produced by her brother Anders Thorslund and Lars Fjellström this is another one of those select Italo/italo-esque singles which received an actual North American release. Picked up by Canada's Power Records and given a remix by Power's chairman, producer/DJ Vince Degiorgio, who gives it a more streamlined mix (hear the original). Well before Sally Shapiro emerged, consider this another testament to Italo's popularity in Sweden.
I.M.S. (International Music System) - An English '93: From the US release of the first International Music System EP, which was one of those surprise finds in my hometown, Calgary Alberta, of all places. Unfortunately, the US release didn't come with a picture sleeve, just a generic 12" company jacket. Still, I was glad to find a genuine original pressing for cheap. To me, IMS was one of those projects that perfectly straddled the line between italo disco and US electro. While "Nonline" is usually the big track on this single, this strangely titled and basically instrumental track is a killer too. Naturally, some Kraftwerk in here also, but with extra tempo and percussion. Two of the principals behind I.M.S. - Giorgio Stefani and Maurice Cavalieri were also behind what is probably one of the most iconic italo hits, "Spacer Woman" by Charlie.
Salvy & Giuly - Stop The World (Vocal): The only single attributed to Salvy Lauria and Giuly Piva (vocals), this was a recent reissue and one that I really love. Again, opted to swap the instrumental for the vocal here. I’m charmed by the Italian-accented English; despite the occasional grammatical oddity, the lyrics feel both genuine and still relevant to the state of the world today. I'm guessing they had good help from Ivana Spagna in that department who's credited as a writer here, along with Ottavio Bacciocchi and the prolific Larry Pignagnoli (who would later write and produce Whigfield's "Saturday Night"). Until this was recently reissued, people were willing to put down nearly €200 for an original copy of this record.
Coco Bill - Evita (Avoid): From DJ/producer Jenny Rocco (AKA Gennaro Rocco), arranger Gianni Miele and American vocalist Larry Paul Emmett, a dystopian disco warning about the computers that would take over our lives? You don't say... It's almost as if they anticipated the social media algorithms that influence what we see, hear and think today. "Avoid the leaders that program the computer"—looking at you, tech broligarchy. Beyond the concept, a great piece of cybernetic paranoia with a driving beat and an affective piano melody. Interesting double meaning in the lyrics too with Evita, being the Italian word for Avoid. Even when the singer misspells A-V-I-O-D in the chorus, that even becomes a hook of its own. Initially, this had been released under Larry Paul Emmett's name. Judging by his partner's words on YouTube and Discogs, Emmett had apparently landed a drug charge in Italy just before this single was released. He would be extradited to back to the US, not really knowing what happened to the single he recorded. Trying to avoid a more practical controversy, the producers quickly re-released and rebranded the project as Coco Bill. Sadly, Emmett would pass away from cancer in Jackson, Mississippi in 2012.
Samoa Park - Tubular Affair (Vocal): A pretty great Italo cover and mash-up of two Mike Oldfield hits - "Tubular Bells" and "Foreign Affair" from 1983. Samoa Park was a project which released mostly italo covers and medleys, some more sucessful than others. This one is easily their best, in my opinion. The two songs pair brilliantly and seamlessly under the steely synth pulse, a feeling which builds on the dystopic note of the previous selection.
PREVIOUS RELATED ENTRIES:
another setting radio: body rhythm #6 (monday may 11, 2026)
another setting radio: body rhythm #4 (tuesday march 17, 2026)
another setting radio: body rhythm #1 (sunday december 21, 2026)
disco delivery mix #14: sign of the times (monday january 22, 2024)
tonight.. (wednesday february 14, 2007)
LINKS:
another setting radio
instagram: another setting radio
soundcloud: another setting radio archives
another setting radio: artist bio - thomas del pozo
CATEGORIES: BODY RHYTHM
Tuesday, August 04, 2026
Disco Delivery Mix #16: Guest Mix for Disco Dose SOCIETY, Vol. 43
Was recently invited to make a guest mix for one of my favourite Instagram disco accounts, Disco Dose and their SOCIETY mix series.
Many thanks to Øhm Sweet Øhm for inviting me to contribute! Kept things mostly in the realm of funky, American disco with some forays into Eurodisco, boogie and soul.
Take a listen below...
Tracklist:
The Dells - Face To Face
The Escorts - Make Me Over
Crown Heights Affair - Dance Lady Dance
The Supremes - You're My Driving Wheel
Tommy Tate - Let Me Entertain You
Tschai Prender - I Wanna Dance Forever
Asphalt Jungle - Freakin’ Time Pt. 1
Spirit Band - Keep Your Love Alive (12" Long Version)
Carte Blanche - Get Up Get On Your Feet (12" Version)
Jimmy Maelen - Spirit In The Flesh
Sunny Gale - I Wanna Know
Prince Phillip Mitchell - Star In The Ghetto
Claudia Polley - Tous Les Bateaux Tous Les Oiseaux (12" Version)
All the records played in this mix.
Track Notes:
The Dells - Face To Face: The title track from The Dells' 1979 album on ABC Records. The Sweet Inspirations also did a good version of this song the same year. Not sure which one came first, but The Dells' version here feels a bit more funk-forward and an ideal way to start things off here.
The Escorts - Make Me Over: This one's a recent pickup, from New Jersey group The Escorts self-titled LP from 1981, the only one produced by Herschel Dwellingham on his Helva label. This was the opener and the standout jam on the album.
Crown Heights Affair - Dance Lady Dance: The title track from the group's fifth album from 1979. Immaculately produced by the band with Britt Britton and Freida Nerangis; right from the jump, the slow glistening intro sets the tone for the funky disco elegance to follow... One of my favourites of theirs.
The Supremes - You're My Driving Wheel: Another old favourite of mine, which longtime readers of this blog will likely attest to. From the final Supremes album, Mary, Scherrie & Susaye from late 1976. That album was the subject of my very first blog entry here, and still one I bring out with me whenever I play. Produced by Brian Holland, co-written with his regular collaborator Harold Beatty alongside Reginald Brown and Stafford Floyd, two members of New York Port Authority, another group The Holland Brothers were producing at the time. This is also one song that I love to warm up with.
Tommy Tate - Let Me Entertain You: A little sleeper from soul singer Tommy Tate's self-titled 1981 album on Frederick Knight's Juana label. Written and produced by Knight, the man behind Anita Ward's "Ring My Bell", this is one of at least four versions of this song that I know of. Knight also produced versions of this song with The Controllers in 1980 using what sounds like largely the same backing-track, and with C.L. Blast, several years later in 1984. Fern Kinney also recorded a version the same year as this one, but this is perhaps my favourite of the four, with the heft and directness of Tate's vocals really bringing the groove to life.
Tschai Prender - I Wanna Dance Forever: An obscure single from an obscure singer that I'd picked up for cheap some years back. No production credit on the label, but written by (and likely also produced by) Charles Blackwell. Blackwell was a major British arranger, producer and songrwriter in his day who'd work with everyone from Marlene Dietrich to Tom Jones, to Shirley Bassey. He was also commissioned to arrange Beethoven's "Ode to Joy" as the "Anthem for Europe" for the European Parliament. Besides that, the man also had some success in disco, writing and co-producing The Larry Page Orchestra's major hit, "Erotic Soul," even recording a disco album under his own name in 1976. While not as orchestrated as his pedrigee would suggest, this single is actually a spare, sexy, synthy disco groover. Discogs only lists the Rio 12" release from Canada, which is what I played here, so not sure if this was released anywhere else. Nevertheless, a treasured piece of cheap heat in my collection.
Asphalt Jungle - Freakin’ Time Pt. 1: A nice slab of funky disco from 1979 courtesy of Philadelphia drummer and producer Keith Benson. One of two known, released production credits to his name, the other is "Can You Feel It" by the Funk Fusion Band. Both selections are immaculately solid, immediate buys in my opinion. Benson was the brother of singer Carla Benson and as one of the MFSB players, has appeared on a number records in that nexus of Philly soul and disco. Was holding out for a 12" of this, but in the meantime recently came across this on 7", which is what I played here. As it turns out, the tracks on the 7" are the same length as the 12".
Spirit Band - Keep Your Love Alive (12" Long Version): A slice of funky boogie from 1982 on the RSP label out of the Bronx. One of those small independent labels that released records in the intersection of disco, funk and early hip-hop. Scored this early this year and was totally taken by the drum action on this record. Overall, there's a looseness here that's just outside what you'd expect from disco or even boogie from this time. The version I played here is the original release, there's a later release of this with an early M&M (John Morales & Sergio Munzibai) Mix.
Carte Blanche - Get Up Get On Your Feet (12" Version): Recently got the Canadian 12" of this catchy British disco nugget. Produced by engineer Geoff Calver, with Peter Yellowstone and Steve Voice, the team behind Kelly Marie's disco hits at the time. Unfortunately the Canadan 12" came in a generic company sleeve, not the nude silhouettes on rollerscates like in other territories. Nevertheless, for the princely sum of $1, I wasn't going to pass it up.
Jimmy Maelen - Spirit In The Flesh: Recently picked up the sole album, Beats Workin', by the late percussionist Jimmy Maelen on DJ/Producer John Luongo's Pavillion label. Maelen, before his untimely death in 1988, was likely one of the most well-travelled session musicians in New York at the time. Chances are if you're listening to something recorded in New York in the late 70s on a major label, there's a high chance he's somewhere in the credits. It certainly isn't the greatest disco record by a percussionist that I've heard (that title would go to Candido Camero), but it's got a few decent songs which stand out, like this one.
Sunny Gale - I Wanna Know: A stellar, lesser-known Vince Montana production and also a little known later effort by 50s singing star Sunny Gale. As far as I can tell, this is likely her last released recording. Though Gale had a string of hits in the early-mid 1950s, among them "Wheel of Fortune," like many pop singers of the time, her career waned in the wake of Rock n' Roll. She made a brief return to recording in the mid 70s releasing an album of Dixieland Blues in 1974, followed by this disco single not long after. Unfortunately, as a single, it was only released on a rare, promo-only 12" on RCA. It would later be made more widely available on a very good RCA disco compilation called Disco Express, Vol. 1, which is where I took this from. Montana would revisit this song under his Goody Goody moniker, with daughter Denise Montana on vocals which remained unreleased until 2002.
Prince Phillip Mitchell - Star In The Ghetto: Taking things down a bit with this song, one that I personally love so much. Prince Phillip Mitchell wrote this, but Ben E. King and the Average White Band released their version first. That being said, this version has the edge for me. From his Make It Good album from 1978, Mitchell's interpretation makes this feel extra personal, likely because it is. Broadly speaking—musically, lyrically, emotionally, I feel like this song speaks to anyone who's quietly plugging away at whatever it is they're good at and passionate about. It may not have been what was expected of them, it may not get them famous or recognized, but they can see those who see them.
Claudia Polley - Tous Les Bateaux Tous Les Oiseaux (12" Version): Another record I picked up recently. A French production for American broadcaster and musician Claudia Polley, who had also released records as Claudia Ashley at the time. French chanson set to a disco beatbox, this is a cover of the song made famous a decade earlier by Michel Polnareff and not to mention, a pretty obvious attempt at recreating and recapturing the magic of Grace Jones' version of "La Vie En Rose." While it doesn't quite reach those heights, it's not without its own charms too. Even if the reference is obvious, the fusion of French chanson and disco is a combination I always love. There's also an eccentric—especially for the era—record-scratch effect in the song, which is as curious as it is catchy. Another point of connection with Grace Jones: the song's arranger Gérard Salesses also arranged the original 1975 release of Jones’ first hit, "I Need A Man." Polley would also record an English version of this song entitled "Believe," but even in her American-accented French, I prefer this version which I only just realized is in the soundtrack of The Bourne Identity... Digging deeper, Claudia Polley’s background is also quite remarkable in itself. In the 70s before moonlighting as a disco singer in France, Polley had been classically trained at Juilliard and had gone on to become one of the first black female broadcasters in the Indianapolis area. By the 1990s, she was producing jazz records on the Mapleshade label. These days, she is a leading historian and preservationist in the Indianapolis area serving as the president of the Urban Legacy Lands Initiative—a non-profit dedicated to preserving historically black spaces in Indiana. For those who would like to know more about her, she shares her story in a two-part interview with Kyle Long on WFYI Indianapolis' Echoes of Indiana Avenue.
PREVIOUS RELATED ENTRIES:
disco delivery mix #12: wheels begin to roll (wednesday july 05, 2023)
disco delivery #34: unyque - makes me higher (1979, djm) (thursday february 08, 2007)
the first delivery: the supremes - mary, scherrie & susaye (1976, motown) (tuesday january 10, 2006)
LINKS:
instagram: disco dose
instagram: øhm sweet øhm
mixcloud: disco dose
CATEGORIES: DISCO DELIVERY MIXES
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