Another Setting Radio: Body Rhythm #8

Photo: Grace Jones by Lynn Goldsmith (1979)

Made this mix on the heels of the Toronto launch of my friend Christian John Wikane's new book A Night At The Disco (ACC Art Books). Christian has interviewed so many artists and producers over the years and has put them to work for this beautiful book which tells the story of disco through its artists. Packed with well-sourced images and biographical details, it's a wonderful book for the budding or even the experienced disco enthusiast.

I should also mention that Christian is the one who got me writing liner notes during the mini-resurgence in CD reissues, which seemed to last from around 2010-2015. Getting to interview artists and producers and tell their stories in print is without a doubt one of the high points in my ongoing journey of music fandom and writing. Needless to say, it was a pleasure to welcome Christian to our city and to lead a discussion and Q&A about disco and about the book itself. From the bookstore (Flying Books), we headed over to my favourite hi-fi bar, The Little Jerry, where I played disco records through the night for our little after-party. When it came time to make this mix, I still had my records out from the launch and after-party, so this month's selections are largely taken from those - mostly straight-ahead disco with a bit of disco-jazz in the mix.

Further details in the track notes below. Hope you enjoy!

Body Rhythm #8:
Tracklist:

The Chuck Davis Orchestra - The Spirit of Sunshine (Long Version)
Dexter Wansel - (I'll Never Forget) My Favorite Disco (feat. The Jones Girls) (12" Version)
Shobizz - I'm Gonna Live Till I Die
Grace Jones - Suffer
Roy Ayers - Fever
Cloud - Take It To The Top
Bobbi Humphrey - Sweet N' Low
Cerrone - You Are The One (feat. Jocelyn Brown)
Voyage - Souvenirs
Faith, Hope & Charity - You're My Peace of Mind (12" Version)
Gregg Diamond Bionic Boogie - Hot Butterfly (feat. Luther Vandross)

All the records played on show #8

Track Notes:

The Chuck Davis Orchestra - The Spirit of Sunshine (Long Version): Opening things with a lovely, impressionistic disco record which despite the anglo names on the label, is basically a French production. Written by a one C. Carl Wing, an alias for French composer Jean-Claude Pelletier, I'm reminded of the penchant for French disco records to use American-sounding aliases, as that seemed to sell better to French disco audiences at the time. The US release on West End Records that I played here was mixed and finessed by the ever reliable Tom Moulton. The Moulton mix is much more sleek and focused, omitting a lot of the brass solos present on the original which is available to listen on YouTube for comparison. The resulting mix feels a lot gentler, but also sounds deeper and freer.

Dexter Wansel - (I'll Never Forget) My Favorite Disco (feat. The Jones Girls) (12" Version): One of the finest disco singles from the late Dexter Wansel, who recently passed in May at the age of 75. One of the giants of Philly soul, besides his own albums, he's also the man behind records like The Jones Girls' "Nights Over Egypt" and Patti LaBelle's "If Only You Knew," among many others. The Jones Girls' heavenly voices are front and centre here too, an ode to the discotheque and also a musical record of some major American discos of the time. Though Studio 54 is mentioned in the opening verse, I love that the discotheques mentioned are not just limited to New York. Among those given tribute in the lyrics are Chicago's B.B.C. (Bombay Bicycle Club), South Jersey's Emerald City, Osko's in Los Angeles, Philadelphia's The Second Story and Kim Graves, even Charlie's Chili in Acapulco to name a few.

Shobizz - I'm Gonna Live Till I Die: One of my favourite tracks from singer/songwriter and dramatist Rupert Holmes' one-off disco project called Shobizz. Released 1979, the same year as his signature hit "Escape (The Piña Colada Song)," I thought this was one of the more evocative tracks on that album and one which builds on the theme and feeling of the previous selection - the disco as escape, and especially your favourite disco as something close to heaven, if you will.

Grace Jones - Suffer: Going from heaven to purgatory here, perhaps? Easily my favourite track on Grace Jones' third album Muse from 1979. The third and final of her Tom Moulton-produced disco trilogy, this track feels almost quintessentially Grace to me. Electric whips, cries and regret set to a disco bass (courtesy of Jimmy Williams). A killer groove, but also a little bit camp at the same time. This song also features the voice of the album's Icelandic arranger Thor Baldursson in something of a sadomasochistic duet with Grace. Apparently Baldursson lent his voice as a scratch vocal, which to his surprise, was left on in the final mix. One of those happy accidents that also works perfectly.

Roy Ayers - Fever: Not the only time the signature hit of Little Willie John and Peggy Lee has been covered in disco fashion; Sylvester also did a great version for his 1980 Sell My Soul album. Nevertheless, Roy Ayers' version here is also one I enjoy. Produced by Ayers and singer Carla Vaughn off his 1979 album of the same name, I thought this particular song was perfectly adapted to his style and to the disco demands of the day. Though I can't say the same for some of the other selections on the album; I don't think I'll ever need to hear a disco version of "Take Me Out To The Ball Game" again, for instance. I imagine a lot of the jazz critics of the day weren't especially thrilled with this direction, but speaking for myself, this one's always done it for me.

Cloud - Take It To The Top: Came across this lovely bit of disco-jazz from 1981 by the brit-funk group Cloud in a local shop a few weeks ago. Took a listen to it and had to pick it up straight away. This record still slaps, as they say. The vocal is minimal (basically an occasional gravelly recitation of the title), but the groove here does all the work.

Bobbi Humphrey - Sweet N' Low: Continuing in a disco-jazz vein here, this was also something I had recently picked up (at the same time as the previous selection, actually). I've been increasingly curious about flautist Bobbi Humphrey's recordings and when I found a nice copy of her 1979 album The Good Life, I had to buy it, especially after hearing all of its disco overtones. This track is among the most danceable on the album, with all the groove and syndrum (pew! pew!, pew! pew!) you could possibly want. Produced by noted percussionist Ralph MacDonald and William Eaton, who also wrote this track.

Cerrone - You Are The One (feat. Jocelyn Brown): A pairing of two titans of disco here. The opener and title track of Cerrone's seventh album from 1980, Jocelyn Brown is the featured vocalist on this and all of the songs on the album. Recorded between Paris and NYC's Power Station (Chic's home base), it's perhaps Cerrone's most 'American' sounding record, yet ironically enough, has never actually been given a proper US release. My copy is the Canadian Black Sun/Unidisc pressing and even that's not one I see very often around here. Besides Brown on vocals, Voyage guitarist Slim Pezin is on this record, as is noted French bass and synth player Sauveur Mallia, along with Dave Letterman's bandleader Paul Shaffer. Over the years, this song has emerged as a favourite of mine in both Cerrone and Jocelyn Brown's oeuvre. It's disco on the surface, yet structurally I feel like it's one of the most convincing pop songs Cerrone has put out.

Voyage - Souvenirs: Thought this went well with the previous track, especially given that there are some musicians in common and that it's also one of the most evocative disco songs out there. Hearing this is almost like an emotional trigger, regardless of whether you lived through the time period or not, but perhaps especially so if you did. Voyage cut their teeth as Paris studio musicians who also regularly released library records/production music. Some of those records, often as Disco & Co., are even getting proper reissues now. This song though, at least to me, remains the pinnacle of their output. The lyrics and vocals bring forth the feeling of the disco as a kind of utopian vision, of the dancefloor as a place to imagine and enact albeit temporarily, community, celebration and freedom. "'Cause all we need is a world of dreams. Forgotten feelings come back in streams. Come join us, don´t hesitate. Just be yourself, be free, let´s be free..."

Faith, Hope & Charity - You're My Peace of Mind (12" Version): Van McCoy is obviously best known for "The Hustle," one of the penultimate disco hits; but I feel he doesn't get quite as much credit for the poignant, soulful songs that he was writing and producing for the group Faith, Hope & Charity or David Ruffin at this time. This song being a case in point. From Faith, Hope and Charity's 4th album Life Goes On from 1976, it's a song radiating with positivity but with a hidden undercurrent of melancholy inside. "You're my peace of mind, that's what you are to me, baby you're my sanity," that undercurrent revealing itself in the line, "when everything's dismal and dark." The disco mix I played here, which extends the song from 7 to just over 9 and a half minutes, is also one of Fire Island DJ David Todd's earliest disco mixes.

Gregg Diamond Bionic Boogie - Hot Butterfly (feat. Luther Vandross): From 1978 and the title track of Gregg Diamond's second Bionic Boogie album, this is probably one of Gregg Diamond's finest songs which Chaka Khan would later make famous. Led here by Luther Vandross, with Cissy Houston on the background chorus, though there are some slight differences in the lyrics and interpretation, it basically strikes the same wistful notes of love and yearning as Chaka's version. Both are interpreted beautifully, and I thought this would be a fitting way to end things here. Interestingly, both Luther Vandross and Cissy Houston would also appear as backing vocalists on Chaka's version, two years later.


PREVIOUS RELATED ENTRIES:
another setting radio: body rhythm #7 (monday june 15, 2026)
disco delivery mix #15: music you can ride on (thursday june 27, 2024)
disco delivery mix #12: wheels begin to roll (wednesday july 05, 2023)
more, more, more, the pre-moulton mix (friday march 06, 2015)
disco delivery mix #5: midnight rendezvous + beam me up 2nd anniversary & bring your own record night (friday september 12, 2014)

LINKS:
another setting radio
instagram: another setting radio
soundcloud: another setting radio archives
another setting radio: artist bio - thomas del pozo
simon & schuster canada: a night at the disco


CATEGORIES: BODY RHYTHM

Another Setting Radio: Body Rhythm #7

Photo: David Bendeth by André Duval (1979)

Here is Episode 7 of Body Rhythm for Another Setting Radio, broadcast on Sunday June 14, 2026.

Went for a more straight-ahead disco sound all the way through this time. As per usual, kept things fairly loose, a combination of things I had recently acquired and others that were close by. Though most of these songs are from 1977-1979, even the latest selection (from 1984) is still quite disco-esque. A few obscurities may be present, some may be both obscure and well-known at the same time. You'll get what I mean if you listen back.

Further details in the track notes below.




Body Rhythm #7:
Tracklist:

David Bendeth - Feel The Real (Special Disco Version)
Teresa Carpio - Love Hangover
The McCrarys - (Do You Wanna) Dance With Me?
Richie Havens - Going Back To My Roots
Donna Summer - Journey To The Centre of Your Heart
Hello - Feel This Thing (12” Version)
Dennis Dean - Lady Change
Pisces - Touch Me
Jocelyn Brown - Hot Natured Woman
Chain Reaction - Sweet Lady (Dance With Me)
Soul Children - Butt La Rose
Barbara Mason & Bunny Sigler - Locked In This Position (12” Version)
Celi Bee - Alternating Currents

All the records played on show #7

Track Notes:

David Bendeth - Feel The Real (Special Disco Version): Artist/Producer/A&R and all-around music industry veteran David Bendeth released this classic jazz-funk tune in 1979 while working in Canada. Recorded in Toronto, this song eventually went on to become a classic particularly in the UK jazz-funk scene over the years. So much so, Incognito even covered it. Led by the smooth vocals of The Boyer Brothers, it's got a groove that almost perfectly anticipates what Jamiroquai would later do. Though its been revisited in covers and remixes over the years, the original still does it for me though, especially in the extended disco version here. For the curious, Bendeth has posted this song on his YouTube account and regularly responds to comments there.

Teresa Carpio - Love Hangover: From Hong Kong singer Teresa Carpio's 1977 album Songs For You, which I had picked up in a dolllar bin several years back. Sung in English, the album is basically a collection of straightforward covers of popular western songs from the time. Nothing particularly radical, her versions of "I'm Easy," "Fernando," and "Lovin' You" all stay pretty close to the originals. I suppose it's all very much in the vein of southeast asian karaoke culture and being half-Filipino myself, I'm fairly familiar. Of all the songs on the album, her version of "Love Hangover" stands apart for me. Even if they don't take too many liberties, they still lock into a really good groove here. Between the lovely work on the rhodes and Carpio's vocals, which may not be as flagrantly boozy as Diana Ross', but like everything else here - feel just loose and natural enough to make it all work well.

The McCrarys - (Do You Wanna) Dance With Me?: The gospel-inflected opening track from family group The McCrarys fourth album, On The Other Side from 1979. I had this album in storage for some years now, only recently pulled it out and gave it a good listen. Not sure what took me so long, but sometimes you don't need to dig any further than your own collection. The well-travelled Trevor Lawrence produced this album (note: he also produced the opening selection on Body Rhythm #4) and it's solid all the way through.

Richie Havens - Going Back To My Roots: Taken from folk singer Richie Havens' 1979 album Connections, which saw him making a stylistic pivot towards a more contemporary pop/soul sound. Produced by Charles Calello, I find it to be a pretty good effort. This song however, his version of Lamont Dozier's "Going Back To My Roots" is the major standout on the album. The grit and heft of Havens' voice over Calello's slick production turn this song into a real dancefloor burner. Personally, I'd go so far as to say that it even outclasses the original as the definitive version of this song.

Donna Summer - Journey To The Centre of Your Heart: While I'm not entirely sure of the divison of labour here, this feels and sounds to me like a perfect combination of Giorgio Moroder and Pete Bellotte's individual production styles. It has those trademark Moroder synths, plus a full horn section behind it for extra energy and momentum, which reminds me of the work Bellotte was producing for Marsha Hunt and Melba Moore around this time. Additionally, Pete Bellotte's underrated lyrical style, lofty and cinematic are on full display here also. Easily one of my favourite album tracks off Donna's signature Bad Girls album.

Hello - Feel This Thing (12” Version): One of the last singles by British glam band, Hello, heard here attempting to keep up with the times in 1979. Written by the Allen brothers - Jeff who was a member of Hello and Chris (AKA Chris Cross) who was the bassist in Ultravox. Interestingly, producer John Hudson would also later work with Ultravox, Midge Ure, Five Star and Tina Turner among others in later years. Here though, they seem to be going for something of a "Do Ya Think I'm Sexy" vibe, with the sax making things just a little extra sleazy. I found that the synth, sax and bass on this song mixed well with the same motifs present in the previous Donna Summer selection.

Dennis Dean - Lady Change: The second Can-Con entry on this mix, sung by Dennis Dean, who I don't know a whole lot about but who had apparently sang in a group called Black Connection with Geraldine Hunt and Pierre Perpall. Produced by Georges Monnier and Michel Daigle, the most promiment name on here, who had produced a number of Montreal disco records. Somehow the title of this song seems like an error, since he's clearly singing "lady chance," not "lady change." Either way, I thought the noodly synth and heavy vibes worked well coming off the previous selection.

Pisces - Touch Me: Getting a little more sensual here, this is my favourite track from a South African disco record called Disco 6 by an outfit called Pisces. One of those records from labels like EMI's Music for Pleasure imprint, consisting of studio band/s covering mostly popular hits. This particular song is one of the exceptions on the record, a killer original that completely hits the spot for me - deep and sensual with a strong disco tempo. No credit for the vocalist, but produced by Mike Pilot, who had done a number of albums of hit parade re-recordings as well as some now notable disco obscurities like Rene Riche and Blush.

Jocelyn Brown - Hot Natured Woman: A little sleeper track from one of the iconic voices of the past 40+ years in disco and dance music more broadly. This was from the EP bearing her major hit "Somebody Else's Guy," on the Prelude imprint Vinyl Dreams. Though this version was released in 1984, the string sweetening here gives this song more of a classic disco feel than the year would suggest. Interestingly, this song was originally released a couple of years prior in 1982 under the moniker Love Connection, with Jocelyn's vocals initially uncredited. The two Love Connection tracks with Jocelyn's vocals (this song and "Hot Blood") were both remixed and included on her Somebody Else's Guy EP. Though now using a mobility scooter, Jocelyn has been performing again in the UK recently and reminding people about some of the shady business behind her signature hit. All these years later, and she reportedly hasn't seen a dime from it.

Chain Reaction - Sweet Lady (Dance With Me): One of only a few singles released on the Jam Sessions label, and a slice of funky American disco from the band Chain Reaction. Likely led by drummer (and the record's producer) Harold Sargent, Chain Reaction released a handful of singles from 79-89, including what may be their best known (at least to me anyway), "Dance Freak" on one of Peter Brown's P&P labels. As far as this single goes, the groove chugs along so well here, I had to play it until the last note. This also happens to be an early Jellybean Benitez mix, which may also be part of the reason why.

Soul Children - Butt La Rose: Recently picked up a nice copy of Soul Children's second-to-last album, Open Door Policy from 1978 on Stax. Ended up buying it in large part after hearing this song. Written by black country singer/songwriter Obie McClinton the lyrics are frankly silly, extollng the virtues of "Butt LaRose [who] wears them sexy clothes." The groove is undeniably funky, though. "When she starts walkin', the streets start smokin'."

Barbara Mason & Bunny Sigler - Locked In This Position (12” Version): The title track of Barbara Mason and Bunny Sigler's 1977 duet album on Curtis Mayfield's Curtom label, this is one I haven't really played a whole lot. Co-written by T. Life (he who produced Evelyn "Champagne" King's "Shame") and featuring Bunny Sigler's signature tight and busy production style, it goes hard, fast and funky in a way that I love. Grooving at a good 126 BPM, and extended to a generous 10 minutes on the promo-only 12" (I didn't play it all the way through here), it's full-tilt boogie on this one.

Celi Bee - Alternating Currents: Taking things way down here with the title track of Celi Bee's Alternating Currents album from 1978. Recently picked up a nice copy, and this was one of the highlights of the album for me. Lyrically, I'm not sure if I'm enough of an elecrician to fully get the metaphor, but it's sung and arranged well enough that it doesn't fully matter. Lovely piece of slow disco, if you will, with a bit of a latin feel.


PREVIOUS RELATED ENTRIES:
another setting radio: body rhythm #4 (tuesday march 17, 2026)
another setting radio: body rhythm #3 (monday february 16, 2026)
disco delivery #64: melba moore - burn (1979, epic) (saturday april 14, 2012)

LINKS:
another setting radio
instagram: another setting radio
soundcloud: another setting radio archives
another setting radio: artist bio - thomas del pozo


CATEGORIES: BODY RHYTHM, CAN-CON DISCO

Disco Delivery #55: Cissy Houston - Step Aside For A Lady (1980, Columbia)

Cissy Houston - You're The Fire
Cissy Houston - It Doesn't Only Happen At Night
Cissy Houston - Step Aside For A Lady
Cissy Houston - What I Miss
Cissy Houston - Gonna Take The Easy Way Out
Cissy Houston - Break It To Me Gently
Cissy Houston - Just One Man

File links updated 10/26/08

Although I've opined about Cissy Houston here before, to me, hers is one of those voices which beautifully and superbly united the worlds of disco and soul. A voice with depth, passion and power, never sliding into needless histrionics, there was also a gentleness and a genuiness there underscoring the power of her voice.. Although her own contributions have been overshadowed by the fame of her daughter, her vocals have left their mark on many a classic, having racked up a number of credits as a backup vocalist, particularly with many disco producers and disco albums of the time..

Looking past the absolutely garish, hideous cover art (which looks more like a really badly executed Christmas ad), musically, on this, her second disco record (released on Columbia in the US, EMI in the UK) and third with noted producer Michael Zager; Houston, Zager and Company pretty much pick up here where "Think It Over" (1978, Private Stock) left off. Although they seem to fine-tune and streamline their approach somewhat into a more consistent groove, especially with the disco tracks, they nevertheless stay largely within the same formula. While she doesn't attack anything with quite the same soulful vigour and drama as "Think It Over," the disco songs on the album are all especially and equally solid, building on the good points of the previous album, making what amounts to a record that's just as strong, if not even better.

Notably, the album's first side begins and ends with ballads. An interesting move, given that much of the album was loaded with disco tracks. Perhaps it was a sign of the times; an attempt, with disco's waning currency, to de-emphasize the 'disco' and give a different first impression. Certainly not the first time I've seen such a thing done.. Whether or not that was the case, somehow I suspect if the album had been released a year earlier, it would have most likely been the reverse. Whatever the circumstances though, the opening track nevertheless makes for a positive impression. A version of "Break It To Me Gently" (no relation to the Brenda Lee song, though not sure if Cissy's is the original of this one or not), later covered by Angela Bofill, it's placement at the start of the album probably takes away from some of it's effect, yet the performance itself is flawless. While the ballad-weary might find her dramatic, edge-of-tears reading to be a tad cloying; from her gentle reticence, to those desperate climaxes, Houston makes truly makes most of the moment. It seems reminiscent in some way of the approach that she took on much of her sublimely soulful 1977 self-titled record, where this song wouldn't have been out of place..

After the brief ballad intro, the album goes into disco mode with "You're The Fire," which would have perhaps been a more representative opening track. With prominent horns and bass, string embellishments; dramatic, towering vocals, even a plonky synth break, it's a trademark Michael Zager track of the time. As much as that works in it's favour, with it's endless lyrical with references to 'fire,''flames' and 'burning,' it's perhaps the most formulaic of the disco tracks on the album, with parts of the song sounding oddly similar to The Spinners' "Disco Ride" (listen to the bass and synth parts), yet another Zager production.

The following track however, "It Doesn't Only Happen At Night," one of the singles and perhaps the best remembered song off the album, would undoubtedly have to be one of the record's highlights. It's a slickly produced song, a piece of towering, infernal disco with an infectious opening bassline, swanky guitars, ornate keys, dramatic stabs of horns, strings and drums. All of it complimented with a vocal that powers through it all, unlocking the passion and release of the song's lyrics. The end of the chorus is really the killer here, with it's climax of pounding drums and blaring horns, one of those things that immediately brings to mind the the high points of her previous disco hits. Along with "You're The Fire," this song would end up peaking at a modest #24 in the Billboard Club Play charts in April 1980. The following year, Geraldine Hunt would also do a version of this song, which I haven't yet heard for myself, but which seems to be fondly remembered as well..

After ending Side One with "Just One Man," the only another ballad, the album really finds it's groove with the three disco tracks on Side Two. Opening with the title track, "Step Aside For A Lady," sporting a hooky bassline and sly guitar, it's a hot little stepper which seems as good an excuse as any for Cissy to inject a bit of bold diva attitude into the procedings. A perfect 'entrance' track, one would wonder how many drag queens would have dug this one back in the day.. Best part for me are those climactic horn stabs, a Zager trademark, at the beginning of the chorus and of course, the great break half-way through, with the bassline right up in the mix..

"What I Miss," the middle track on Side Two takes the tempo down a little bit from the other tracks, a nice respite from the other big, elaborate, string-laden disco productions that seemed to be her and Zager's calling card at the time. Cissy, who doesn't hold back with her vocals, even on this track, provides both the perfect accompaniment and balance to the groove, riding with it, yet infusing the track with enough personality and excitement to keep things from getting too plodding. With it's funkier, more laid-back bass-driven groove, this one's probably one of my personal favourites on the album..

From there, the album ends things on yet another high point with "Gonna Take The Easy Way Out," one of Zager's trademark full, rich productions - signature horn riffs and elegant strings underscored by a classy, almost Chic-esque guitar, this has to be one of her most underrated disco tracks. In fact hearing this track was what eventually convinced me to track this LP down, easily the highest point of disco drama on the album, it also has to be one of her finest vocal performances on the record, with the track's gentle buildup giving her the perfect opportunity for both vocal subtlety in the beginning and intensity, especially with those ad-libs.. Also of note on the vocals are great call-and-response interplay with the backgrounds on here, where a pre-fame Luther Vandross and his ultra smooth vocals really shine through (also notable: the wonderful, prolific Jocelyn Brown is yet another backup vocalist on the album). ".. Easy Way Out" was released on a 12", but judging from the timings listed, it seems the 12" version was pretty much identical to the LP version in this case.

Although this album, with it's unfortunate artwork and slightly awkward sequencing, is hardly flawless, the songs and the performances themselves are uniformly strong and exciting, the good points far outweigh the negative.. Even if the sound on here was a progression from her previous album; for the most part, it's still pretty much in keeping with Zager's production style at the time for acts like The Spinners, Ronnie Dyson etc... Perhaps it's both a good and a bad thing - on the one hand, the production values are excellent. However, on the other hand, by the time this album was released in 1980, Zager's richly produced, slick disco sound (not to mention disco in general) was likely considered so dated/passé by then, with all the things that had happened in the music industry, it probably wouldn't have stood much of a chance anyway. Although considering how, at the turn of the 80's, how many once vital disco acts seemed to rush out sub-par releases, either out of contractual obligation, or in an attempt to keep up with trends (or both), with this album being as strong as it is, perhaps this was still a triumph in it's own small way. Call it a victim of it's time, I guess..

PREVIOUS RELATED ENTRIES:
DISCO DELIVERY #22: SPINNERS - DANCIN' & LOVIN' (1979, ATLANTIC) (MONDAY JUNE 5, 2006)
DISCO DELIVERY #8: CISSY HOUSTON - THINK IT OVER (1978, PRIVATE STOCK) (FRIDAY FEBRUARY 24, 2006)

LINKS:
CISSY HOUSTON - STEP ASIDE FOR A LADY LP @ DISCOMUSIC.COM
CISSY HOUSTON - STEP ASIDE FOR A LADY LP @ RATEYOURMUSIC.COM
CISSY HOUSTON - GONNA TAKE THE EASY WAY OUT 12'' @ DISCOGS
CISSY HOUSTON SINGLES DISCOGRAPHY @ SOULFUL KINDA MUSIC
CISSY HOUSTON @ ALL MUSIC GUIDE
CISSY HOUSTON @ DISCO MUSEUM
CISSY HOUSTON @ WIKIPEDIA
MYCENTRALJERSEY.COM - CISSY HOUSTON LOOKS BACK ON A LIFE OF PRAISE AND SONG (BY CRISTIAN A. FARIAS) (JUNE 12, 2008)

MICHAEL ZAGER INTERVIEW @ DISCO-DISCO
MICHAEL ZAGER @ DISCOGS
MICHAEL ZAGER @ WIKIPEDIA

CATEGORIES: DISCO DELIVERIES