Last Call!

Jolo - Last Call
Uploaded by leynnad

Another one of my latest YouTube obsessions.. Before I stumbled upon this, I never would have guessed that this song had a video..

Jolo was essentially Jo-Carol Block and Lauren Carter who had sung back-up for most of the major acts on Megatone like Patrick Cowley, Sylvester, Paul Parker and Modern Rocketry.. They, along with a third singer, Carol McMackin, would start out as the Patrick Cowley singers. As Jolo, they would release a few singles and no album, so image-wise they were a little anonymous; watching the video now though, they come across kind of like a Hi-NRG version of Wendy & Lisa, if you will.. True to the Megatone sound, this record marries both an driving, edgy electronic production with an undeniably gay sensibility, which is probably most obvious in the sheer drama in those vocals, especially in the intro. Not to mention the lyrics; somehow I can never buy that scenario in the video, those cruisy lyrics just sound specially tailored for the boys. To top it all off, it looks like the video was filmed in San Francisco's legendary I-Beam..

I believe "Last Call" would be their best known song, and if anything, a classic example of that unique San Francisco Hi-NRG sound, with those great synth buildups and background hooks. The record was released in 1984 and produced by Barry Beam (AKA Barry Blum) and John Hedges, both of whom also produced "Jump Shout" and "Rocket To Your Heart" for Lisa. In the 90's, John Hedges would become the last president of the Megatone label. Sadly, in 2003 Jo-Carol Block (then known under her married name, Jo-Carol Davidson) would pass away from a brain aneurysm.

Last thing: Be sure to check out the girls at the 4 minute mark, and also the leather man at 3.10.. some of my favourite parts of the video..

LINKS:
JOLO - LAST CALL 12'' @ DISCOMUSIC.COM
SAN FRANCISCO CHRONICLE: JO-CAROL DAVIDSON: DISCO SINGER, PRESERVATIONIST (OBITUARY) (THURSDAY JUNE 5, 2003)
TRIBUTE TO JO-CAROL DAVIDSON
DJ'S PORTAL - INTERVIEW WITH JOHN HEDGES
JOHN HEDGES @ DISCOMUSIC.COM
THE I-BEAM @ DISCOMUSIC.COM
THE I-BEAM TODAY

CATEGORIES: VISUAL DISCO

Disco Delivery #7: Sylvester - M-1015 (1984, Megatone)

Sylvester - Rock The Box
Sylvester - Sex (LP Version)
Sylvester - Sex (12" Version - An Ian Levine Remix)
Sylvester - Lovin' Is Really My Game

Fast-forwarding ten years from the early disco of the last disco delivery to 1984... Okay, so maybe 1984 is pushing it a little; some may not consider this disco, but I certainly do.. This was one of the last albums by Sylvester James, one of the bona-fide queens of disco (there can be more than one can't there?). After leaving the Fantasy record label in the early '80s after supposedly being miffed at their attempts to change his image and musical direction, he moved over to the small San Francisco indie label Megatone. He almost insantly struck gold with celebrated producer Patrick Cowley and "Do Ya Wanna Funk." His final album on the Fantasy label ("Too Hot To Sleep," 1981) saw him in a moving away from disco into a more classically soulful sound, while the sexually charged, cutting edge "Do Ya Wanna Funk" signaled yet another shift. "..Funk" would not only be one of the greatest examples of the emerging, distinctive "San Francisco sound," but a prototype for the direction Sylvester would take while at Megatone. Those years in part saw him return to the dancefloor, this time with a more aggressive, electronic Hi-NRG sound, with many of his songs presenting a much more blunt, up-front sexuality than ever before. Not to mention his image; while at Fantasy they occasionally tried (often in vain) to "butch him up" (see his '77 self-titled album cover). A complete contrast to his Megatone years when his image would often unashamedly blur gender lines to say the least.. So much so it even prompted Joan Rivers to ask if he was a drag queen. The response: "Honey, I am not a drag queen. I am Sylvester!.".. Says it all really..

Aside from being one of the last albums Sylvester would do, "M-1015" is often cited by some (like allmusic) as being his "last solid album." I would probably agree. Interestingly, the album title seemed to came from both it's own catalogue number and a notorious San Francisco bathhouse located at 1015 Folsom (thanks to Joe.My.God. for this info). Along with that curious title and the beautifully futuristic, androgynous cover drawing by David Duran, there were also some largely overlooked musical gems on this one. "Rock The Box" and "Sex" to name a couple are both amazing tracks, with those relentless three-dimensional swirling, pounding synths; infectious in their own dark, retro-futuristic sort of way... "Sex" is probably one of his definitive tracks from this period, not to mention one of his most (if not his most) blatantly sexual efforts, "You make it hard..and baby, I can't wait..I've got to have you now.." From the lyrics, to the the heavy, Hi-NRG production, the whole thing is practically tailor made for the gay scene. The Ian Levine 12" mix might be a little much, stretching it all the way to 9 minutes, but if like me, you can't get enough of this track, the 12" mix might just do it for you. Aside from extending it, it sounds like Levine used an alternate vocal take and included some new verses on the lead and background vocal parts..

Another notable track is his cover of the disco classic "Lovin' Is Really My Game," originally done by the group Brainstorm from their 1977 "Stormin'" album.. A huge disco favourite, which I can honestly say was never one of mine. Regardless, it seemed to show that Sylvester wasn't abandoning disco, not even in 1984. I suppose the disco backlash would have died down by then, but then again, with Sylvester hardly being mainstream at this point, it probably wouldn't have made a big difference anyway. Nevertheless, it would still be at least another ten or so years before it would be somewhat acceptable to cover a disco song... In any case, I don't even care for Sylvester's version that much either, but maybe someone out there does..

While Sylvester is most famous for working with Patrick Cowley during this period, much of this album was produced by both James "Tip" Wirrick (who produced "Sex") and the team of Morey Goldstein and Ken Kessie (who produced "Rock The Box"). Kessie and Goldstein also recorded as a duo under the name Modern Rocketry and had a notable hit around this time called "Homosexuality" which I believe was covered by the Pet Shop Boys not too long ago...

This most certainly won't be my last Sylvester entry. Despite his untimely death, he left an impressive catalogue and a groudbreaking legacy which, it seems is starting to get more recognition. There's a new book out by Joshua Gamson about his life called "The Fabulous Sylvester," which, as a reader just pointed out to me (thanks Michael!), was just released on paperback. I haven't bought it yet, but it's something I want to get pretty soon.. Also, if anyone's interested, the "M-1015" album is available on CD through Unidisc, who, if I'm correct, have since bought out Megatone Records' back catalogue. It was retitled "Rock The Box" complete with an unfortunate hack-job on that wonderful original cover, but all the tracks from the original album are there, plus some bonuses..

Note: Some fresh new links! Visit Doubt Beat, Back & Forth and Habitat '67, thanks to all three for linking me..

LINKS:
SYLVESTER - M-1015 LP @ DISCOGS
SYLVESTER - ROCK THE BOX CD @ DISCOMUSIC.COM
SYLVESTER - M-1015 REVIEW @ ALLMUSIC.COM
MOREY GOLDSTEIN'S PERSONAL SITE

PURCHASE:
SYLVESTER - ROCK THE BOX CD LISTINGS @ FROOGLE
SYLVESTER - GREATEST HITS 2-CD LISTINGS @ FROOGLE
THE FABULOUS SYLVESTER BY JOSHUA GAMSON (HARDBACK) @ AMAZON.COM
THE FABULOUS SYLVESTER BY JOSHUA GAMSON (PAPERBACK) @ AMAZON.COM

CATEGORIES: DISCO DELIVERIES, PAST REISSUES