Friday, December 21, 2007

Disco Delivery #49:
Grand Tour - On Such A Winter's Day (1977, Butterfly/RCA)

Grand Tour - The Grand Tour
Grand Tour - Let's Go Boating
Grand Tour - Still I'm Sad
Grand Tour - Flight From Versailles
Grand Tour - Late November
Grand Tour - California Dreamin'

Updated and re-uploaded 1/15/09

I had originally gotten a few requests to cover this back in June, when I had posted about Guenther/Morrison's excellent Southern Exposure LP. Given the feel and the title of the album, plus the fact that it was the beginning of summer at the time, not to mention also that I didn't really have a decent copy of it then, it never really became a priority at the time. Now that it's December and close to Christmas, with the season much more in tune with the mood and the music of this album, I figured now would be a much better moment for this..

The disco off of this album, in so far as one could classify it as typically so, is perhaps the sort of disco that's unlikely to be trendy these days.. For one thing, it's a fairly moody record; no heavy, driving four-on-the-floor beats at the top of the mix; the orchestration, while extensive, isn't in the dramatic, collossal style of Costandinos nor of it's sister production THP Orchestra; there are no heavy electronics à la Moroder or Soccio, nor are there any extended bass or percussion breaks funked up and ready for harvesting.. There's just a kind of gentle, low-key approach to everything on here, with parts of the album sounding perhaps slightly MOR in that old time pop orchestra kind of way (not that that's a bad thing), and given the background of one of it's producers, perhaps slightly arty/folk-influenced in others (not that that's a bad thing, either).. Even if calling some of these tracks folksy might be stretching things a bit, this is anything but a typical disco album.

Regardless of how one approaches it, there's a sheer artistry and musical beauty to this record that's absolutely undeniable. It's just another reason why I've come to respect the work of it's producers, Toronto-based duo Ian Guenther and Willi Morrison (AKA Three Hats Productions/THP) so much.. The cover, looking like the front of a Christmas postcard paired with the overall winter mood and theme of the songs make this one of the most, if not the most conceptual disco record ever produced by Guenther and Morrison.

Given the theme and the fact that Guenther and Morrison are, at least in my mind, one of the most celebrated Can-Con Disco producers, it's no small irony that an album like this one was not recorded in Canada, but for their American label, Butterfly (as opposed to their Canadian one, RCA) in Hollywood, California (at Rinder & Lewis' home-base, Producer's Workshop), no less. It's somewhat lamentable in a way, that this wasn't recorded in Canada, since it would have made such a great mythology.. An exquisite piece of orchestral disco, recorded in the middle of a cold, grey Canadian winter, evoking the hopes, dreams, wishes and moods that such a season brings. Fantastic dreams of escape, faraway travel, and ultimately resignation and surrender to it's inevitable realities. A perfect winter soundtrack. Perhaps their working jaunt to California gave them a unique perspective on those things.. Regardless of the circumstances behind it's recording or whether my own imagined mythology doesn't quite fit, musically, as a perfect winter soundtrack, the album is faultless.

The opening track, "The Grand Tour," appropriately sets the stage for things, as perhaps one of the most exquisite things Guenther & Morrison ever did. With a beautiful, understated string section opening what would be one of the most memorable, dreamlike melodies I've heard from them, with a heavenly vocal (unfortunately anonymous and uncredited) so light and airy, it makes the perfect compliment to the strings and lyrics. The sweet, gentle interpretation in those vocals - like the lyrics, evoking love and pain and ecstasy and sun, rain and mystery, it's enough to seduce even the coldest of hearts to her beautiful, romantic fantasies ...

"The Grand Tour" was also released as a 12'', however the 12'' version identical to the album version, in this case (thanks to commenter Erik Kuyl for the confirmation).

Between the horns and castanets, the instrumental richness of "..Grand Tour" is elevated to new heights on "Let's Go Boating." An absolutely sublime instrumental, it's melody is so beautifully memorable, you'd swear you could have heard it somewhere else.

Aside from those, some of the most exceptional tracks on the record would have to be the two closing tracks, a cover of The Yardbirds' "Still I'm Sad" (thanks to the anonymous commenter for this info.) on Side A and yet another cover, their faithful, sublime version of the classic pop standard "California Dreamin' " on Side B. Nothing quite exemplifies the melancholy mood of this album quite like these two tracks.. "Still I'm Sad" is perhaps the most stirring of the two, as the track with the most sparse, moody, atmospheric arrangement on the album. It's an intriguing piece, elegantly complimented by it's wonderful lyrics and especially the haunting female vocals, which interpret the mood of the song with such graceful, ethereal feeling, that it even exceeds the original (not to mention Boney M's cover version, as well).

Having peaked on the Billboard Disco Charts at #9 in early '78 (along with the other two tracks on Side B), and having been the first to appear on CD, the Side B opener, "Flight From Versailles" is perhaps one of the better known tracks on here. Opening with a light popping synth and those exquisitely swirling strings, it's perhaps the closest thing on this album to the epic orchestral productions that likely come to mind when one thinks of THP's best known work. A kind of disco odyssey, there's a real fantastical, adventurous quality to this as well, with they way the track takes one through various changes, highs, lows, peaking with an exquisite string solo/break at the 4.30 mark.. Truly a standout on the record. Curiously, on both the Canadian and US pressings I have, it's mislabeled as "Flight To Versailles" on the sleeve, but entitled "Flight From Versailles" on the label. Since the latter seems to be the more common usage, I'll just go with that..

The track that follows it, "Late November" is perhaps one of the more unassuming, but ultimately one of the most rewarding on the record. Yet another instrumental, it starts off decievingly sparse and basic, all the while gently building, completely engaging the listener once the refrain kicks in.. The organ (?) and those understated, stirring strings totally carry this track, subtly weaving together an engaging, peaceful atmosphere...

The album is beautifully closed by their cover of "California Dreamin' ", the de-facto title track, which effectively recreates the longing of the original, complimenting it with some wonderful extended instrumental passages. With it's moody elegance, it's the perfect conclusion to an album like this, summing up the feelings, moods and sounds of the album in one single production..

Overall, this album is ultimately one of the finest things the THP duo ever put together. Even compared to their other work, there is a feeling, an atmosphere about this record that totally separates it from practically every other disco production they ever did. Perhaps the change of locale had something to do with it? Either way, it's unfortunate that the credits are rather economical, with no credits for musicians, vocalists or otherwise, which would most likely shed some light on the record's sound.. That said, a great deal of the credit for this record's sound would likely have to go to the album's prolific, award-winning arranger and conductor Jimmie Haskell, whom they apparently used in place of their usual arranger/conductor, Pete Pedersen. Having worked on records by the likes of Simon & Garfunkel, Etta James, The Moody Blues, Dusty Springfield and many many others, this seems to be the first and last time Haskell would work with Guenther and Morrison.

As well, Jim Taylor, who is somehow credited on the 12'' of "The Grand Tour," but nowhere on the album, is yet another person who likely deserves credit for the finished product here. A producer and mixer, Taylor was apparently a major contributor to many of Butterfly's releases. Taylor, according to his posting on's interview with Butterfly Records' founder A.J. Cervantes, claims he worked on half of the product released by Butterfly in the late 70's. Evidently, in an unfortunate, but all too common music industry story, Taylor was left largely uncredited for some of his major contributions, such as the sixteen minute version of THP Orchestra's "Two Hot For Love," and as well, for the final mix of this very album.. Taylor later produced his own project for Butterfly entitled "Bernadette," as the J.T. Connection.

Although Grand Tour is rather earlier on in their canon of disco productions (one of the first outside of the THP Orchestra), it amazes me how Guenther and Morrison were able to go from orchestral disco like this, Southern Exposure and the early THP Orchestra, to club flooring fare like Sticky Fingers, rock disco like the Skatt Bros. all the way to cold, epic electro like The Immortals and beyond. Despite this record being anything but your typical four-on-the-floor disco album, it's quite nice to know that it wasn't passed over at the time, with a good half of the record charting quite well in the US discos. In my opinion, it's records like this which speak highly, not only of the talent involved, but of disco at it's best, as a genre of unparalleled diversity..

Gentle and emotional, yet exquisite and intricate with it's winter disco theme, this album is nothing less than a truly sublime record.. Looking at my Canadian pressing here, I remember being intrigued by the writing on the cover when I had picked it up.. I usually hate seeing writing scrawled on the cover like that; in this case however, it couldn't have described things more perfectly.. Night Magic, indeed..

Note: This album was evidently released on CD in Italy (which I don't have yet) by a label called Vintage Classics. That label also did a CD reissue of another Can-Con Disco album, the John L. Usry, Jr. production Stratavarious, which, from what I recall, was of somewhat marginal sound quality. So no telling how good the quality of this reissue was, however it is out there (albeit somewhat hard to find) should you ever decide to track it down.





Anonymous said...

Thank you very much, Tommy!

DJ Fruit Loops said...

ive always loved this album
I believe my copy is either blue or white vinyl

Tommy said...

No problem, funkychris! :)

Hey DJ Fruit Loops, thanks for reminding me about the coloured vinyl. I totally forgot to mention it in the post. Unfortunately mine is just on regular black vinyl.. Ah well, glad to know you like this album too. Thanks for the comment! :)

BoogieMan said...

What a superb album to post for the Christmas holiday. Great choice Tommy. I was familiar only with the opening track. The others are all newsies. I think your description of folksy music is, about, as accurate as you could get in describing some of these tracks. They seems folksy in an Americana sort of way. For instance, the song "Let's Go Boating", for some reason, reminds me of Bionic Boogie's "Big West". I understand your point about the mystique that could've been had through a recording in Canada but, don't forget, Canada is America too. Both countries have very close ties, historically as well as geographically. Thanks to Second City TV, I'd say the sense of humor isn't too far off either. LOL:D Oh, BTW, I love the cover of The Mamas And The Papas - California Dreamin'. Great Song in any genre! A very Merry Christmas ans a Happy New Year, to you and yours Tommy. Thanks for the music.

Unknown said...

I LOVE this. So sexy... Like dungeondj, I'm especially loving California Dreamin'.

Tommy said...

ooh Dungeon, be careful.. ;)
Good thing you stopped short of actually calling Canadians 'Americans', 'cause that generally doesn't go over very well up here ;P For the most part, when referring to Canada-US similarities, 'North Americans' is more widely accepted here than 'Americans.' Small difference, but we're funny like that :)

I do agree though, regarding the shared culture between the US and Canada (particularly English Canada), which is always apparent (you just need to look at the consumption of movies and music), as well as the certain amount of shared history, but there are also key differences.. In particular, the one that I was alluding to in the post was the aspect of winter and northerness and it's influence on identity. I'd argue that it's one thing which affects Canada and the Canadian psyche much more profoundly than it does the US, hence my little lament there..

Anyway, I'm really glad you liked the album! Thanks so much for the comment and the kind wishes. Merry Christmas and Happy New Year to you and yours as well! :)

Hey Enrique, thanks for the comment! :) I'm glad you love the songs. I had a feeling you'd enjoy the cover of "California Dreamin'" :)

BoogieMan said...

Don't worry Tommy, I'm sensitive to the differences between French and English Canada. I remember when the French provinces wanted to secede and form their own country. As far as calling Candians, "Americans", I realize too that, this was a descriptive term that was solidified during WWII (after the Doughboys of WWI) and has since, come to be recognized as a "U.S. citizen's" descriptive term. To call you by any other name than, "Canadian", well, would deprive you of a proud heritage. BTW, the cold of Canada is felt more readily around these parts (northern NJ) than the warmth of our U.S. tropical regions.;) I often marvel (Earth's axis aside) that Northern NJ is, pretty much, along the same longitudinal regions as southern Italy and the French Riviera. I must concede however, in the past 5 - 7 years, winters around here have been warmer then usual. Anyway, thanks for the holiday greeting and, keep on Discoin'.

Erik Kuyl said...

Many thanks for this. I had a blue vinyl version. I also had the 122 (in grey vinyl) and the cut was the same as the LP. What a great site. Hope you have a great holiday.


Erik Kuyl said...

I meant 12" (not 122)!

ish said...

I didn't know this record. Thanks for turning me on to something new!

Tommy said...

Hey Dungeon, I'm glad that's clarified ;) At the moment the weather not too bad here, but apparently we're in for one of the coldest winters in a while up here.. Anyway, thanks for the follow-up!

Hey Erik Kuyl, thanks for the confirmation! :) I just added a little tidbit I found about the guy (Jim Taylor) who mixed the record. Apparently he was credited on the 12", but not on the album. Not having the 12", but seeing that credit, I wasn't really sure.. Anyway, thanks for the confirmation, Erik! :)

Hey Ish, no problem! Hope you enjoyed :)

Anonymous said...

Note: "Still I'm Sad" is a cover of an old Yardbirds tune.

Tommy said...

Thanks Anonymous, I had no idea! I'll be sure to add that to the entry..

Anonymous said...

First time I've heard "the grand tour" I was a teen and since them I'm looking for this album to buy, unsuccessfully. So, thank you very much for this post.....happy 2008 from Brazil for all

Tommy said...

Hello Mura, thanks for the comment, I hope you enjoyed the music.. Hope you'll be able to find a copy of the LP for yourself in the near future.. Best wishes in 2008 to you as well! :)

Unknown said...

Hello people,
I'm a disco rookie and just found this website by chance...
Seems like it's going to be a great help for me to discover and collect some used 12" from Ebay every now and then...
Thanks for helping people like me to get their hands on some non crappy disco tunes.
These are the days when i think the Internet is an invaluable tool.

Anonymous said...

Hi Tommy.
I've been looking for Grand Tour's album for over 20 years, and now I was lucky enough to find it on your blog... By the way, fine blog!
Problem: looks like ZShare doesn't host the files anymore - it keeps looping to the download page and never gets to the file.
Would it be possible for you to re-up this LP? I would be forever grateful, my friend.
Best wishes, and thanks in advance!

Anonymous said...

I write from Mexico City and it's amazing to find this album, I always think that never gonna find it. I get a shinny copy on vinil.
But I can't download in ZShare, can't you to re-up it, please? I will be greateful too.
Happy 2009.

Anonymous said...

Hi, found this blog via google. Absolutely clueless on this stuff, but I found this record for a $1 today and it's great! The organ work on some of these tracks remind of a Jackie Mittoo instrumental or something. Seriously a great record. Thanks for this write up! Very informative.

Unknown said...

Hi...I'm from Bangkok Thailand.
I found your blog by chance and love it so much because I iove in disco music. Thank you and hope you can re-up most of music in your blog again.

Maciko said...

A killer album many many thanks for sharing such treasures
i love "Late November" a bomb.....

joe said...

I never thought Iwould find this in digital format - so fabulous! THANKS!

Anonymous said...


You can’t believe for how many years I had “The Grand Tour” song in my mind (I’ll admit: 30 years) and had no idea how to listen to it again. This song was a great disco hit here in Brazil in the late 70’s but in those days, it was very difficult to get an original vinyl (Brazil had severe penalties for imports),so, all I had was a sweet memory of the lyrics. In fact, the lyrics were a great influence in my life, inspiring me to travel the world (which I was fortunate to have been able to do) and to get to know its beauties!

With the download from your page, I will now be able to travel back in time with this song to a much (way) happier time in my life! Thanks a million!

Rio de Janeiro – RJ - Brazil

Anonymous said...

The singer of this album is Merry Clayton

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